Here's an idea for a fun chat...
Two concepts...
First - Something that you feel is just perfect - you can't find fault with it - for you it is your most beloved or enjoyable and any faults are so unimportant to you that they don't matter.. so for example to me..
Jurassic Park - is a literally perfect film, every scene is perfect, every creative choice perfect. Every sequel at best 10% as good as the original.
Oasis - What's The Story Morning Glory? - Purely the first album I bought, the album that hooked me on music full stop, the most life-affirming and perfectly sequenced set of songs ever.
Secondly.. something you feel was simply made for you personally, as if the creators had scooped what you love out of your head and just whacked it on record or on a screen - this is much harder to pick...
For me....
Star Trek Picard Season Three - I'm one of those "Picard was a second father" people and this astonishing nostalgia-fest was just made for me.... I've not loved anything so much in years.
What about you guys?
Perfect?
Made for you?
You are the dreamer, and the dream...
Comments
The Lord of the Rings - the books and the films.
Wrath of Khan
Most Chris Nolan films...
Even, as a Dad to a son, where he says to Borgified Jack... "Well if you won't leave, then I'll stay with you... you have changed my life forever..."
Blub...
I actually thought more of seasons one and two than most. They were trying to do a character drama in the Trek universe - and in some ways - the beautiful change in Picard as he sits in the Ent-D chair again to be his old self was more impactful because we had two seasons of him "lost" first...
I tend to think of Groundhog Day as a perfect film. There is a feminist critique of it that sometimes does the rounds but I think that comes from people who haven't watched it properly.
I often say that good film/television/literature creates a world and as long as everything complies by the rules of that world it doesn't matter that those things don't work in the real world. Groundhog Day does this really well.
But as far as films go, I'll nominate Galaxy Quest as a Made For Me one. I've always said it's the best Star Trek movie ever made - although I'm not really a Star Trek fan - but it's more a case of the characters, the humour, a few soppy sentimental bits... it just connects with me.
Made for me - loads of possibilities here, but Picard Season 3 is probably the most recent. It's a love letter to the fans, and it gave us everything we wanted. So many directors and producers say that they don't want to do fan-service, and end up giving us something nobody wants to watch; Picard S3 is an object lesson for those people.
Going back a bit further, though, there's one film that sits in both camps - Logan. There's literally no fault in this film, but it's also the most concrete ending to the story and eclipses everything that went before it. On top of that, it gave us exactly what we needed to not let the characters go out with a whimper.
It's the greatest film that I never want to see again, and it doesn't even matter that Hugh Jackman's coming back for Deadpool 3.
I can't help about the shape I'm in, I can't sing I ain't pretty and my legs are thin
But don't ask me what I think of you, I might not give the answer that you want me to
Interesting - simply because of the sheer emotional impact?
(i) Cowboy Junkies - The Trinity Sessions
Very different from most stuff I listen to, and indeed listened to at the time I first heard it, a young stripling at university in the late 80's. Haunting, perfect vocals, and laid-back, stripped but gorgeous instrumentation. The guitar tones in particular are (to my cloth ears) sensational. Saw them live in ?1990 and they were just sublime.
(ii) Jordi Savall/Le Concert des Nations - Boccherini: Fandango, Sinfonie & La Musica Notturna di Madrid
I was sent this by a friend I met whilst walking the Camino de Santiago in 2000 (an experience that blew this jaded old atheist's mind, and after one repeat I still yearn to get back there). It speaks to me of Spain, of those (very) long walks, of the people I met, conversations I had, and places I saw, but more it's just a passionate, eclectic baroque grab-bag of consummate artistry. These people sound like they're having fun. The apps or whatever that take notes of this stuff tell me it's my most played album.
In more or less equal parts tragic, obscene, drunken, and very, very sardonically funny.
Like every Velvet Underground song. Every Elliott Smith song. Every Sigur Ros song. Most of Bowie’s catalogue. Nevermind. The Strokes’ Is This It? The The’s Dusk. Don Quixote. Candide. Kafka’s The Trial. Camus’ The Fall. Welsh’s Trainspotting. “Existentialism is a Humanism”. Onion Talks. Moonlight Sonata. Air on the G String. Claire de Lune and Arabesque no. 1. Gymnopedie 1-3.
I'm not locked in here with you, you are locked in here with me.