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I tend to prefer the slightly fatter option of raising the whole thing, but it depends a little on guitar and pickup construction and how far the pickup is from the saddles (a few millimetres makes a big difference).
Obviously if it's a dogear you'll need shims.
All this is based on my preference for lower wind P90s, if they're highish output you may want to raise the pole pieces for more clarity.
On one of my budget LP Special copies, I avoid this faff by having Alegree P90s of c. 8 and 11k, respectively.
Edit, I take it straight into a clean amp is best for PU setting, or , should I set them up with the amp and pedals as I usually play?
On a soapbar P90, I begin with the outer polepiece screws right down and adjust the pickup end-to-end to get the two E strings sounding right (to me). Then, I adjust the A, D, G and B polepieces to balance their output relative to the E strings.
YMMV
On a Casino or ES-330, I would adjust using an amplifier set clean.
Perhaps try it yourself and report back your findings? Nothing irreversible unless the screwdriver slips!
The biggest no no for me is the bridge dog ear P90 with it's pole pieces wiving about like daffodils above the pickup cover in an attempt to get good volume - on a guitar with too steep a neck set angle for an un-shimmed pickup! Make or buy some shims.
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
Their are pics on the internet that show what one looks like construction-wise.
As @Funkfingers says .. the whole of a fillister head above the top face of the pickup - and that whole pickup is too low.
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
(I agree with @OilCityPickups , if Tom Bukovac did say that (I haven't seen the video), I don't care how famous or how good a player he is, he's wrong! Polepieces make a difference, a pretty big one.)
I put a thicker shim into my Harley Benton SG Jr which has a pretty steep neck angle and I think I'm going to have to go back to the thinner one I had in there before, the low E and A are overpowering the high strings and are too bassy, and I can't get the E and A polepieces any lower...
I do tend to have a pretty drastic angle on my pickups (almost regardless of pickup type), I do prefer the treble side to be a lot closer to the strings, first of all so the bass strings don't overpower the treble ones, and secondly so the bass isn't too muddy.
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
A lot of this stuff unfortunately gets a lot easier once you've done it a bit. I basically set the pickup height roughly by eye (as it's easier to adjust it roughly before you have the guitar strapped on) to be closeish to the correct height and angle- probably a bit lower than it needs to be as that means I have some leeway to either raise the pickup height (unless it's a dogear P90) or the polepieces, depending on the sound I'm after. If it's too bright I'll raise the pickup to get it to its proper distance from the strings, if it's too dark I'll raise the polepieces to the correct distance from the strings. Then I'll adjust the polepieces for the string-to-string balance.
It's up to you whether you want to steer more towards bite and clarity or warmth, it just depends on the tone you want.
I adjust P90s through overdriven valve amplification for the reason I stated previously. I use these pickups for their unique capabilities in generating filthy Rock 'n' Roll sounds.
I do usually play distorted too, my feeling was just that it was easier to hear string-to-string balance using a clean tone with less compression... however, considering pickups sound "wrong" when they don't have the heights correctly set even through a distorted amp, I might be overcomplicating it!