Dumble on TPS

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snowblindsnowblind Frets: 334
Anyone seen this? It does have a certain something......

https://www.youtube.com/watch?v=4z-IkXE36DI


although I'm still not convinced I'd swap it for my HiWatt. ;)


Old, overweight and badly maintained. Unlike my amps which are just old and overweight.
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  • DesVegasDesVegas Frets: 4614
    Zendrives are my favourite od
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  • theatreanchortheatreanchor Frets: 1511
    Genuinely didn’t find it particularly good. Maybe you have to be in the room with it. Or a Robben Ford fan. 
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  • snowblindsnowblind Frets: 334
    It's always the way with these things. Unless you are in the room all you really hear is the mics and the best efforts of the sound engineer. All the same the people in the room did seem to be motivated by the amp in one way or another. 

    Just by way of an academic exercise it would be interesting to compare a pukka item (£175K on reverb right now) with the £700 quid version on AliExpress.


    Old, overweight and badly maintained. Unlike my amps which are just old and overweight.
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  • theatreanchortheatreanchor Frets: 1511
    snowblind said:
    It's always the way with these things. Unless you are in the room all you really hear is the mics and the best efforts of the sound engineer. All the same the people in the room did seem to be motivated by the amp in one way or another. 

    Just by way of an academic exercise it would be interesting to compare a pukka item (£175K on reverb right now) with the £700 quid version on AliExpress.


    Was it the amp, what the amp represented, or the mythology of Dumble? It reminded me a bit of going to Abbey Rd. Quite easy to be taken away with the history or iconography of the thing / place. 
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  • sweepysweepy Frets: 4208
    edited May 10
    The Two Rock CRS has that certain vocal quality too, never been a better time to play guitar tbh, some superb quality kit out there and yes they should have A/B'd it  with a Two Rock etc and swapped out the cab 
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  • soma1975soma1975 Frets: 6890
    It's more a chance to play a piece of history as opposed to finding out if it is worth it over a clone.

    Annoyed they didn't try Kill Your Television on it. 
    My Trade Feedback Thread is here

    Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
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  • Th4fonzTh4fonz Frets: 261
    I really enjoyed it and that Charlie guy was a great player
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  • DesVegasDesVegas Frets: 4614
    soma1975 said:
    It's more a chance to play a piece of history as opposed to finding out if it is worth it over a clone.

    Annoyed they didn't try Kill Your Television on it. 
    Neds Atomic Dustbin?
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  • pluckbuddypluckbuddy Frets: 304
    Nice playing from @JakeLoosemore too.

    The amp sounded good to me. But I'd like to hear one in a non-jazz/blues type setting. Perhaps rock or guitar pop - something I'm more likely to listen to. Not that Robben isn't excellent, but Rubber Soul, Revolver or Exile recorded with one of these would be interesting. Probably wasted in that environment...
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  • JakeLoosemoreJakeLoosemore Frets: 78
    Nice playing from @JakeLoosemore too.

    The amp sounded good to me. But I'd like to hear one in a non-jazz/blues type setting. Perhaps rock or guitar pop - something I'm more likely to listen to. Not that Robben isn't excellent, but Rubber Soul, Revolver or Exile recorded with one of these would be interesting. Probably wasted in that environment...
    Thanks man, really appreciate that! It’s a truly incredible amp, although definitely not for everyone’s taste! 
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  • EpsilonEpsilon Frets: 636
    The amp sounds nice - excellent even. Must admit that I'm always slightly sceptical about the borderline religious reverence people have for Dumble amps, and particularly the suggestion that nobody else "has the technology" to make amps like that. Perhaps I'd feel differently if I played one in the flesh.

    Anyway interesting episode with great playing. We're lucky to have a channel like TPS that brings stuff like this to us in such a quality and accessible way.
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  • brooombrooom Frets: 1175
    edited May 12
    I like Robben's music and tones. However, it sort of works in deteriment to dumble type circuits that they've been associated with this "fusion-y" sound for so long. When in fact the amps themselves are so flexible and capable of doing so much more.

    Obviously this association is not only derived from Robben but also from some other artists.

    I currently own two dumble inspired amps. A Mark Kane #183 and a Redplate overdrive classic. I've owned a couple of others in the past, although before I was mostly into blackface/tweed/vox.

    These amps really have a lot built in, both in tones as well as in volume flexibility. You hardly ever see anyone demoing them this way, but they are very capable of doing dynamic clean sounds on the overdrive channel that explodes into a great overdrive by just picking harder. And this can all be achieved at whisper volumes or loud volumes with plenty of ways to compensate and always keep the amp sounding alive.

    Dumble really was great at his craft and even though he probably wasn't too fond of his amps being copied, the truth is that a decent "clone" gives you a peek into the possibilities of his designs.
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  • Alex2678Alex2678 Frets: 1158
    It sounded to me that it’s not so much a case of no-one else having the technology but that he was really good at fine tuning his designs to suit a player or sound, given that Robben and Larry didn’t like each other’s. Having that knowledge and ability isn’t something you can clone.

    I’ve never taken a lot of interest in Dumble style amps, I’m not into the ‘scene’ where they’re used - I’d always thought they were about that fat overdrive tone, but that clean sounded really great. 
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  • brooombrooom Frets: 1175
    The clean sounds are awesome. I'm particularly fond of the cleans on high plate skyliner transition circuits. They have flat cleans with a very nice mid content (not fendery at all).
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  • KurtisKurtis Frets: 746
    I'd say it sounds nice, but not out of the ordinary really. 
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  • KebabkidKebabkid Frets: 3339
    edited May 12
    I really enjoyed that 2nd parter and hearing the Dumble. Good to hear Charlie and Jake, too, and nice playing from them and Mick and Dan. 

    Robben Ford's tones on the 'Talk to your Daughter' album and the track of the same name and 'Help the Poor' are some of my favourite overdrive tones and differ to what he went on to. That's what I've always associated and assumed 'The Dumble Sound' was and whilst Larry Carlton used them and is another mentioned when it comes to this amp, for his main recordings, especially if we're talking Steely Dan and The Nightfly, that was his 1958 Fender Tweed Deluxe.

    I've had Dumble-inspired OD pedals like the Duellist, Dude, original Zendrive, Landgraff Dynamic Overdrive and played a friend's Dumkudo and I've never heard the above tones coming from any of those and I'd love to find something that does that.

    Interesting about the cab. I had a wonderful Divided by 13 head that only sounded good with a 2x12 Tone Tubby cab with the Alnico/Ceramic combo. All other cabs/speakers didn't sound anywhere near as good and getting that perfect marriage is important.

    RF mentioned Alexander  Dumble being looked after by someone, paying his bills etc in his later years. I know in the past and early years of the Dumble Amps, he was living on Jackson Browne's estate and so I wonder if it was him, but I'm sure RF would've remembered someone so well-known as that and must've visited Dumble at that place.

    It's a shame they didn't compare a Two Rock or anything like that to the Dumble - that was a missed opportunity. It also would've been great to hear RF through a Fender Red Knob Twin with a Zendrive as at one point, that was what he used for European gigs.


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  • newi123newi123 Frets: 889
    What I really got from this video was its time for Robben to let his hair just be grey and do up his top button. 


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  • sweepysweepy Frets: 4208
    Just a terrible missed opportunity, to say that things like comparisons weren’t  in the spirit etc from Mick Taylor is utter bollocks imho 
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  • KebabkidKebabkid Frets: 3339
    edited May 12
    sweepy said:
    Just a terrible missed opportunity, to say that things like comparisons weren’t  in the spirit etc from Mick Taylor is utter bollocks imho 
    Yep, because as special as it might be, along with them being scarce, it keeps 'the mystique and Holy Grail of Amps' thing going and the price of them stupidly high. However, comparing it to other boutique amps £3-5K (Two Rock, Amplified Nation, Red Plate, Fuchs etc)  or even something decent @£1200 like Danish Pete's The Deputy would've been interesting for us mere mortals to see if that sort of sound is available on a budget. For example, a real Klon, £5-7K but some good clones, £150 - 500.
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  • mgawmgaw Frets: 5300
    edited May 12
    sweepy said:
    Just a terrible missed opportunity, to say that things like comparisons weren’t  in the spirit etc from Mick Taylor is utter bollocks imho 
    Well obviously there is a vested interest in keeping the mystique/reputation of Dumble amps intact , but maybe the feeling was a comparison video mainly consumed via YouTube on whatever devices would not have been a fair representation in some ways..
    And of course it’s an asset that needs looked after!

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