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It wouldn't have been very classy to shoot it out with their own amps and have everyone commenting that they prefer Hot Rod Deluxes etc.
Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
Kidding - he's probably a wine drinker.
I first became intrigued by the Dumble sound in 1981. I was a fan of Hill Street Blues on TV at the time and you can hear Larry Carlton's very distinctive tone on the theme tune. I became a tlot more interested when first saw Matt Schofield playing a TR live and spent a lot of time on TAG reading and absorbing the details as they emerged from the various de-goopings.
I built my Ceriatone OTS in 2008 and have modded it a bit, I have also owned two other Dumble inspired amps, a Redplate Blackverb and a CarolAnn OD3. My conclusions from listening and playing this style of amp is that it's for an 'artist', a competent player who plays as the single guitarist in a band. The lead channel is great for that, playing lead, but it's not so good for crunch/distortion rhythm playing. They also need to be loud to get the best out of them, witness the 105dB in the TPS recording. The clean channel is an excellent pedal platform for all manner of dirt pedals and that's where I go when I want Marshall crunch tones.
I help out with filming etc at TPS, so was also there for the Robben interview and the main thing I took away from it was just how in control of his right hand he is at all times, his dynamics and variation of pick attack are like nothing I’ve ever seen!!
This is also spot on - we didn’t want to compare Robben’s ODS to anything for a couple of reasons…
2.) Truly nothing any of us have played compares to that amp and cab combination anyway. That isn’t to say that it’s “better” or that I’d prefer to own that amp than others that are available, it’s simply that it’s very much its own thing and is incredibly unique, as most Dumbles are. As Robben said, it’s like a person!
Personally I'd love to have heard the conversation recorded at the Little Chef on the way home between Mick and the other guy about what they really thought of it and in comparison to other rigs they've played thru.
And yes - I couldn't get over the hair dye thing either. Ridiculous. Do a Jon Bon Jovi and grow old gracefully.
So, is it all about the mids?
'Dumble tone', 'original klon', '59 burst' etc are being added to a list of increasingly irrelevant anachronisms in my book. Joe Bo is welcome to them.
And I listened to the recorded sounds generated by it.
Unquestionably a great sounding amp.
Unique?
No. Sorry - that part of all this does not come across in the audio, at all and I'm not convinced by the statement its a unique tone. I know that much has been said about each one being 'different' but tbh, it didn't sound *that* different to the one I've been in the same room as. Its a Hot-Rod Fender tone, with more mids and a lot of detail... much like some of the *original* Boogies and many other Fender-based amps. As Robben himself says, Dumble started with the Bassman schematic and tweaked it from there... as have a gazillion other folks. Its an evolution, deffo - but equally, its not a blank sheet of paper either.
A great deal of this will be the whole "I'm playing through Robben Ford's Dumble" psychoacoustic thing - if you want to believe its the greatest amp tone, it will be. I'm fairly sure, though, you could dial in some fairly similar sounds through some other amps and switch between them without being able to pick out the Dumble for sure. Especially using the same cabinet.
Its a fun video and as I say, its a great sounding amp.