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Comments
Nail. Head. Exactly how I feel.
As I've said before, if you need 'proper' clean sounds in a live situation, most small amps are useless. I'd always prefer to have too much, rather than too little power on tap.
Hmm, thanks again all. There is a Cornford Harlequin going near me at the mo (just a few miles up the road), so I may go and give that a whirl.
Only slight concern is that I had two of their Roadhouse models when they came out, both of which went pop very quickly. I vowed never to go near a Cornford again, but maybe I should!
I'm thinking of making the Ampmaker WF-55 at some point. It's a really simple build and a great circuit, would be good for recording although would still be too loud cranked at home. The NX5 looks good and has power Scaling and different valve choices, that would be a great home amp.
To be honest, I thought it was unremarkable. Even with a humbucking guitar it remained pretty clean at levels too high for home use - and with a Strat it lacked the 'air' and warmth of (even slightly) bigger Fenders.
At the prices they now command, they just don't offer enough to my ears.
Wish I'd have spoken to you before I'd wasted so much money....
Some of us like more of a tactile, acoustic-like response though, y'know for writing songs that chicks dig etc.
I built one and all of the above is true. The power scaling works well up to a point - you can't turn it down to TV-sort of levels because it only works on the power amp valve voltages. At the the very low end of the scale the output from the preamp valve is much higher than what the power amp input can cope with at that point and you get a nasty compressed, squished distortion. The power scaling can be modded to work on both valve stages though, but judicious use of the power scaling in conjuction with the master volume gets you a range of nice valve distorted sounds at reasonable volumes.