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Comments
Low gain
tone about 6-7
volume to taste but quite high
What are you playing it through?
What amp model & settings are you using?
What cab/settings are you using?
Hows the tubescreamer set?
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
Tried all of the Marshall amps and they all have a similar flubbiness on the low end. Almost sounds like a fuzz...kind of breaking up. Tried messing with the setting generally but I don't think I've played with sag or hum yet. I'll try that later.
Tried all sorts of settings on the TS - doesn't really touch the flubbiness. Also, I don't like tubescreamers...to my ears they make everything sound nasal. In the way, the helix model is very accurate!
To be fair, I avoid Marshalls in real life because of the flub.
Things that helped me:
1. Set the input to only the one you're using (say the 1/4 one)
2. Set the volume knob not to control your output
3. Experiment with the input impedance setting, I took it off auto and preferred 1Mohm
4. Studio compressor at the front of the chain and always on, just smoothing things out.
5. No high cut or anything
6. For me the gain number on the amps is 'too high', I run plenty of amps with the gain < 5 (almost all I think), more than that and there's too much compression
7. Sag between 5-7, I like the feel (steady!)
8. Watch the master volume, I used to dime that, it compresses too much - maybe halfway?
9. Use the amp like a real one, meaning most pre-90's Marshalls you'd have a drive in front of them. I love the TS and the Klon (as in real life), but the OCD is also really good with the gain right down.
My high gain sound is the Jump'd Plexi, both gains near max - but master around halfway, with a boost in front - instant VH.
Also it's worth starting with an empty chain, that really helped me, start with just a reverb, get that sounding natural and ok, then gradually add the amps and effects - really helped me with the gain structure.
Finally, check out Glenn Delane - I got some of his presets, they're really, really good - and I ripped off a lot of ideas from him!
Should I demand Thomann a new unit?
"You don't know what you've got till the whole thing's gone. The days are dark and the road is long."
"You don't know what you've got till the whole thing's gone. The days are dark and the road is long."
The use of an external expression pedal is also less than satisfactory because of the added cost and space requirement, not to mention that it will not operate in the same way as the onboard pedal.
"You don't know what you've got till the whole thing's gone. The days are dark and the road is long."
I'd only be using one for recording and home noodling and I'm just wondering how much of a faff it is to use on it's own...
I used a behringer FCB1010 with the rack for a while. its perfectly functional if you just want to swap between snapshots.
But the dedicated floor controller just opens up so many more possibilities.
Is there any particular reason that you're buying the rack unit over buying the Helix Native plugin? http://uk.line6.com/helix/helixnative.html
If you already have an audio interface, mic pres, and DI's you're happy with, and only want to record, it might make sense to consider the plugin.
There's a 15 day demo of the plugin which I'd recommend you try before buying the unit anyway, the sounds are the same (just set the gain staging correctly inside the plugin)
I imagine it will work just fine unless you want to change patches with your foot.
I generally use the PC app to edit patches anyway, and only use the Control for live.
R.
Eqd Speaker Cranker clone
Monte Allums TR-2 Plus mod kit
Trading feedback: http://www.thefretboard.co.uk/discussion/60602/
You've hit the nail on the head: I need the hardware for all the ins, outs and general connectivity.