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The only people who are direct about it are Neunaber.
For a small company I don't think they could afford the r&d unless they were building a platform.
Modstation will likely be returned, but wanted to see how the analog delay compares to my Carbon Copy, since tap tempo and also a mod source in one box would be cool.
time will tell - but agree TGP thread was amazing
But to be fair, dsp programming is a bitch and he isn't releasing anything substandard. From what i've heard (first and third hand) they all sound immense!
Some of the pedals are so niche, they would never make a profit as analogue.
He is combining some of his pedals in the workstations for less money, if that gives him any credit?
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This video tour is a great insight.
Not sure about the others (compressors, octaver etc).
To focus on the topic here - the supermod station sounds great, gets very good infact.
But has one annoying bug, if you have a chorus sound (or flange) - and you are playing, when you engage the pedal you hear the modulated note fade in.
Sounds stupid, but it's really annoying - only for the first xxx m/s but it kind of farts over stuff, they know it's there because the note fades in like they've tried to mask it.
Disappointing because for £240 I expected more, I love the sounds and it's a nice footprint, but I'll stick with my Carbon Copy and Micro flanger
Monteray is also going back, it's fussy on power source - if you daisy chain the clock is audible when you're not playing (the pulsing of the vibe, even when not engaged). But main reason is, the demo's sounded so good I loved it, but I've yet to find a fuzz that works when I play it - and this is another one1
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