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Scathing, @lukedlb, and not very helpful. I presume you play more often than I do and to a higher standard.
@simonk - MJW cabs?
My band, Red For Dissent
My band, Red For Dissent
Worked for those eejits with the custom shop gibsons...
I think the standard ones are ply too (or at least the 212, some of the other cabs may well not be). I had both, and while I wouldn't want to swear in court that I could correctly identify plywood etc. since i'm not much use at DIY etc., the regular standard g212 looked the same to me on the inside as the g212 vintage- it's ages since i had mine open, but IIRC it looked like wood rather than particleboard (wasn't painted in the inside either, IIRC, which aided in my being able to tell it was wood I need all the help I can get when it comes to DIY ). It's specced as being plywood, too.
yeah. funnily enough the harley benton cab is actually fairly big- not super-oversized big, but pretty big. unless you're willing to pay a good bit more for an oversized one you could actually do a good bit worse than the HB for brootalz.
I was surprised to discover it's the same width as a Marshall 1936 - it doesn't look it, presumably because it's 'chunkier' - slightly deeper and not as tall. I didn't think it was until I put a Marshall head on top of one and found it's exactly the same length.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Not sure if you're being serious.
If you are, that's nonsense.
The best quality cabs they made were the basketweave cabs from 68 to early 71 with the metal handles and metal castor cups. Thats why a lot of them still survive today almost 50 years on. A lot of them might look very ugly, or be horribly recovered or stripped and varnished or whatever but the woodwork still survives. Only water damage will kill them.
I have not owned many modern Marshall cabs but a couple of years ago I retolexed a '1960AV' cab. The back panel was made of cheap chipboard and it literally crumbled away in my hands. I had to make a new back for it out of plywood. I don't know what plywood they use for the main body of the cab but it seems a lot lighter than the wood they were using in the 60's.
If you want to go vintage and dont want to pay crazy prices for old Marshall gear other brands to look out for are the Laney klipp & Dan Armstrong cabs, early Sound City cabs wth the metal "door knocker" handles, Orange/Matamp, Vampower, Sai, were all making good sturdy cabs in the early 70's (in my opinion), and will eat the likes of Zilla for breakfast in terms of build-quality.
You only deal with real Marshall cabs though .
JCM800s are OK, it's the 900s that aren't. They didn't start using MDF until late in the 800s, for the back panels on the solid-state combos - until then, all the non-ply material was particle board.
The wholesale change to MDF was early in the 900 series - you can find very early 900-series cabs (1936s, 1922s etc) that are ply, but most aren't. They've recently returned the 1936 to ply, not sure about the 1922.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Interesting. I always though MDF and particle board were the same, maybe not then. It was definitely chipboard I found on the 1960AV cab though. The really cheap stuff made from large pieces of wood shavings glued together. I've got pics somewhere, I just need to get organised and sort my hard-drive.
A marshall 45 head from 72 plugged into a 1x12, 2x12, 4x12, 8x10 produce very different voices; speaker choice even more.
A 1x12 can never have the body of a4x12: all that air space. It just can't be compared.
I like the comparison to a wind instrument: the guitar is the key pads, the amp is the instrument body, and the speaker cabinet is the bell end. And yeah, I have me a big fat bell end.
However, playing a 1x12 and a 2x12 together does produce a great tone, similar to how that pedal show often does with their double amps.
For example: a leslie16 alone is ok but limited due to cab distortion from the styrofoam and Doppler effect meaning there is a volume vomit to the cab rather than the speaker. Play it together with another cab and it sounds wonderful: all the distortion is masked, the low an high signals are full and a lush swirling chorus sweeps around the room.
(b) LOL, I haven't compared it to a Marshall 2x12 but it seemed to me to be bigger, or at least as big, as all of my other 2x12 cabs apart from my oversized Roadkill. And my Laney Lionheart cab might be a little deeper (but not as long).
Making a sweeping statement like anything other than a 4x12 sounds thin middy and anorexic is nonsense.
All right, you like big cabs, i get it. Doesn't mean that smaller cabs are shit.
I even think some albums have been recorded with small cabs and I also believe that they've been used in live situations although this could just be a rumour I've heard. Must've been really crap gigs though.
I'm not.
I use what works for me.
My current vertical Mesa 2x12 is the incredible, my favourite cab, just in front of the bogner OS 212.
Slapped my express plus 5:25 through my recently restored old 70s 2x12 and it sounded really really good.
A good amp through a good 4x12 will sound very expansive and will bring out the flavour of the amp, but a crap amp through a 4x12 (even a really really good one) will still sound, um, crap. Loud, but still crap.