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Comments
I must have a '54 wraptail in my life soon.
Rob.
(formerly miserneil)
How long is the wait now?
Rob.
(formerly miserneil)
I think only the replica lot can get close in looks and feel
I've got to do a heavy aged 56 with bigsby, should be interesting and fun, the pic I got sent was heavily worn and not my usual preference for lightly aged
I think alot of this stuff gets overdone
Ive got a 54 to make, the 54 doesn't need ageing, as soon as I give it to the guy within a couple of months it'll look aged, a burst he had started checking naturally within a month or so
My friends got a 63 335 with hardly any checking and the condition is mint really
A superb guitar
(formerly customkits)
It is a bit depressing to see love for Replica/counterfeit guitars on the thread.
If you buy one you can't take a gig in Nashville or Memphis.
Even in the UK....the council could turn up any time and crush your guitar mid gig. Local Authorities have the power to seize and destroy counterfeit goods.
Vintage Les Pauls are expensive but player grade Les Pauls are only quite expensive. Heavily modified guitars are controversial (to some) but all of the working guitars used by Les Paul himself were heavily modified Gibson Les Pauls. Conversion = Heavily Modified Gibson Les Paul.
A Conversion will cost maybe the same as 3 x Collectors Choice guitars. And it is a Gibson. And you can gig it in Nashville.
'Burst owner Tom Wittrock has dropped strong hints several times (on LPF) that his best playing and sounding guitar is his Conversion.
But don't leave it too long.
Before the 2008 financial crisis Conversions were fetching $65,000.
http://www.gibson-talk.com/forum/les-paul-discussion-page/1062-saw-cool-56-conversion-burst-today.html
There are not enough to go around so it seems reasonable to conclude that they are currently under valued at typical street price.....if you can find one.
Who cares if a corporation (more interested in becoming a 'lifestyle brand') sells a few more units, when there are craftsmen who have dedicated there life to mastering an art?
my money would go to the artisan every time.
We've had this before - the only time such time copies come into the interest of the "authorities" is when they are put up for sale. The local council aren't going to burst in mid gig like the Spanish Inquisition and take away your guitar...
This is my sort of burst
Another thing about replica bashing, i haven't played a gibson that sounded that good, like a burst tbh
The last aged custom shop 6k secondhand hand piece of crap was the worst sounding les paul i've ever played and it had ox4 pickups in it, i don't think i played it more than 5 minutes, my sons old greco is way better sounding than that.
I also had Phil Harris play mine and he said it was one of the closest burst tone guitars he'd played, that's why people buy them
http://i1076.photobucket.com/albums/w449/plexiblues/guitar%20kit%20stuff/20160824_115847_zps6nbnnoi3.jpg
(formerly customkits)
There are other ways in which a fake can come to the attention of "authorities". If you import a counterfeit guitar and HMRC discover it, they will write to you and ask for your permission within 10 days for them to destroy the guitar. Even if it cost you £8k....your best bet is to give them permission to destroy the guitar. Unless you want a load of trouble.....
If Gibson offered a guitar as good and as close to the originals as these replicas get and a guitar as close to the originals as some players want them to be, then there wouldn't be a market for them.
But simply....They can't, So there is.
(formerly miserneil)
I couldn't afford one if they did so I resort to diy
(formerly customkits)
Do you honestly think that HMRC/Trading Standards/Teresa May's henchmen etc are going to burst onto the stage and remove Slash's "fake" Les Paul from his hands mid gig, and run off to destroy it? Or David Gilmour's black strat? Or Mike Rutherford's Shergold 6/12string with "fake" Strat neck made by Chris Eccleshall?
Its bullshit. It hasn't ever happened previously. It won't happen.
Quite.
And I am praising Replica maker Gil Yaron.
His customers are very happy to play a guitar with the name of the brilliant Luthier proudly shown on the headstock. I would love it if that caught on. Maybe it will.
I am not offended that Replicas have been introduced to the thread. I said it was "a bit depressing".
It would be very surprising if we all agreed about everything.
When I started this thread it was completely on a whim after I thought "wouldn't that be nice!" Personally I'm not a fan of replicas but have no issue with companies doing their own take on a style be it Les Paul, strat or tell etc.