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Comments
It doesn't matter, if you don't have anti reflective coatings on your glasses, you won't be able to read the final 5 percent that's so key to its haunting communication.
Also...somebody's got hold of a pre-production model:
Sounds pretty damn good in a mix to me.
Especially the way he switched to left handed for the lead sections......
I haven't actually heard the other thread, but I've been on this one so I'll tell everyone this is the better one.
Interesting video... but it would be interesting to hear some music being played through this new wunder-pedal.
what the hell was that all about with the wobbly camera?
Don't be mean, parkinsons is very serious
Can these things be set up to be like a "virtual rig" in effect? ie like a single channel amp model with pedal models which you assign to the various buttons and can turn on/off over the main amp sound if that makes sense ?
Interesting question springs to mind,
why bother? Given that a large majority of players seeking a vintage valve tone would rather fellate Donald Trump than try a digital option, it seems to that the designers of these units are on a hiding to nothing.
They are wasting a lot of their time including Tweed and Plexi models considering their target market but dammed if they don't.
I disagree. I wanted an all-in-one with the potential for very complex sounds, but also lots of good standard sounds too. I use the Plexi and Matchless models the most.
I think the target market is wider than you think - both in terms of who the companies are selling to, and in terms of the tastes of people who buy them.
https://www.thefretboard.co.uk/discussion/57776/handsomerik/p1
It's certainly not missing, it's just done in a much more useful and flexible way than just chucking a minijack or pair of phonos that gets mixed straight into the output.