Ok picture the scene.
I turn up to the fly gig at a hotel in the alps. Borrowed a mij strat with a hot rail humbucker in the bridge and a kaller trem (urgh) from the drummers swiss friend, guitar itself is really nice to play but the volume jump grom the SCs to the humbucker is massive!
Ive bought some pedals: tubescreamer, MIAB, carbon copy, chorus and a boost (all i could fit on a diago commuter in the hand luggage.
So the amp... its a clapped out, beer soaked roland cube 20. THE HORROR.
This thing just hates pedals, cant run it at breakup, boosted with drives then roll off for cleans - its not having it.
Bear in mind we are covering everything from soul and funk to rock and grunge...
In the end i set the thing for clean and loud and hope the amp can handle the pedals.
TS type pedal sounds ok, a passable low gain bluesy tone - nice.
MIAB (an angry charlie) sounds like dog shite quite frankly. With some drastic eqing i get it to sound half ok but the amp cant really handle all the feequencies and just starts to fart out.
The boost (digitech bad monkey) does give me enough for a solo but also makes everything sound like mush - not good.
I mull it over for a while and then remember that beer is free and noone in the audience cares about tone anyway!
We are back next weekend as well with the same setup so does anyone have some hot tips for dialling a passable tone with a small transistor amp?
Comments
PA Hire and Event Management
So you need to work on pedals and combinations of pedals which sound good like that, and if you're using a boost and it comes at the end, you need to set your maximum volume so it still doesn't push the amp too hard. If that's too quiet then you'll need to mic up.
If your last pedal is the Bad Monkey it may be worth trying the 'mixer' output - it's really meant for DI'ing, but with some solid-state amps it actually might work better - nothing to lose by trying it. Or use it to split the signal into the amp and the PA at the same time.
If by a Cube 20 you mean the modern modelling one, use only the JC Clean setting - the others sound like shit. If it's the old orange one, use the Normal input not the overdrive…
Treat it as a challenge . Most guitarists are far too dependent on their own gear to get 'their' sound in my opinion - if you can learn how to get a decent approximation of it through more or less anything then you're probably ready to become a bass player .
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Im running the gain very low on the charlie too which nearly sounds ok
PA Hire and Event Management
Its the newer grey version with the onboard fx etc..
I am already using the mixer out into another channel on the mixer as it was the only way to ground the amp! Was getying horrendous shocks off it through the mic otherwise - great!
Ill try the mixer out into the amp (grounding with the normal output to the mixer) and run it all quiter to not push the ampself and then just give it more out front...
Would i gain any headroom by running all the eqs at full?
PA Hire and Event Management
PA Hire and Event Management
PA Hire and Event Management
I'm usually pretty good at getting a usable sound with any amp but I certainly don't envy you with this one at gig volume!
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
As said already, make sure your amp is louder with all your pedals OFF, so that you are sure you're not overdriving the amp.
Use the EQ on the amp to cut out any unwanted frequencies at the end of your pedal chain.
I've been up in the Alps in a small pub, only choice in the area, different bands every night, booked well in advance, there's obviously a network of performing artists rotating, it's not just a casual "who's around tonight?" thing.
Seriously, this makes any amp sound great or sling it into the PA direct. Solves all "amp de jour" issues
Do you have anything similar?