I'm not looking to buy, but I have been watching some videos of these new Ibanez AZ series guitars and came across the Tom Quayle and Martin Miller 'signature' versions.
Looking on their website, Ibanez seem to do a lot of signature instruments, so I was wondering, can such guitars make a sensible buy, resale value wise? I know any Ibanez is likely to lose a lot of value in any case, but do signature guitars tend to lose even more, or is this entirely dependent on how nice the guitar is in its own right?
Do people tend buy signature guitars because they are fans of the player, or just because they offer a bit more choice?
I can't help thinking that any standard model is likely to find more buyers, should it ever come the time to sell.
I must admit, the Tom Quayle AZ is the first time I have really taken any real notice of a 'signature' model!
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I just gave those as an example - just wondering about people's attitudes to 'signature' guitars in general.
in all all seriousness I think Ibanez often get it right. They have always made a hell of a lot of signature models, but you can look at a JEM or JS without thinking of Steve or Joe.... soon as you add the floral or chrome finish the artist association comes back.
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A Lee Ranaldo Jazzmaster/Jazzblaster and a Ryan Jarman Musuar (Mustang, Jaguar mix).
Both were bought because they fulfilled particular wants on my end, I will admit I'm a huge Sonic Youth fan so the Ranaldo association was admittedly a good thing for me.
As for the Ryan Jarman, I hate the Cribs so that held no sway over my purchase. It's just a Jag-Stang that isn't ugly as sin.
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I think it depends on the modifications the endorsee has made from stock & whether they're useful to your style .
There are many players with one signature instrument that reflects their unique preferences- Chris Shiflett built a partscaster that he used on tour before Fender copied it as his signature model.
Jim Root has made a rather cool line of cohesive and distinctive guitars.
At the other end of the spectrum- JoBo seems to apply his signature to anything that doesn't run away. (Fair play to him- I'd love one of those Firebirds he endorsed).
The ultimate is when a fellow pro plays it-
I'm pretty sure The Edge, Ed Sheeran & Pete Townsend play Eric Clapton strats.
Tame Impalas guitarist sometimes plays a Mascis Squier Jazzmaster.
Signature models - I had a Robert Cray Strat, basically because it was pretty much the only way of getting hold of a hardtail Strat. Also one of the first series of Pete Townshend signature SGs, which I really wish I hadn't sold.
Going back to the OP, I don't really know who Tom Quayle or Martin Miller are, but I think the AZ series are the most interesting Ibanez models for a very long time.
I bought it because it offered something pretty unusual - a 335-style format, but with three P90s and a Bigsby. It's a hugely fun guitar to play with a wide range of great sounds. Love it.
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It also played better than the american tele deluxe i tried alongside it and I preferred the tone of the humbuckers to the WRHBs in the American.
I used to see the limited ed’s in guitar mag adverts and the price was never published!
I’ve got the production run model and it’s a great guitar. It’s the second one I’ve owned...the first one was previously owned by a forum member...
If I'd fully realised at the time how difficult it is to get hold of an SG with a chunky neck and a one-piece body, I'd still have it. I liked the wraparound bridge too.
Unfortunately it was a victim of one of my spates of going selling-crazy. Which hasn't happened for quite a while now, although it needs to...
I've always quite fancied the Kurt Cobain Jag and the Billy Corgan Strat.
I'd buy one if it had the specs I wanted. The connection with another person wouldn't bother me.
I can't help about the shape I'm in, I can't sing I ain't pretty and my legs are thin
But don't ask me what I think of you, I might not give the answer that you want me to
I also run a Graham Coxon Tele. Not because I like Blur, but because the pickup combination (Fender vintage voiced SC and a SD 59 in the neck) gives some super sweet tones, and it looks/plays like a dream.
I know the resale value might be hindered because of a name on the headstock, but that doesn't bother me.
http://www.thefretboard.co.uk/discussion/24941/fs-2001-pete-townshend-sg-now-sold/p1
If if I see one for sale I’ll give you a shout. The last few on eBay have been listed at optimistic prices though. Maybe they have gone up in value?