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Flush baseplate adjustment and high spring tension are often tell tale signs that the tuning stability of the vibrato system is not reliable. There is a tendency amongst inexperienced repairers to over-tighten in an attempt to make absolutely sure the guitar will hold pitch.
Yes, you can remove a tension spring or two and, then, re-adjust the spring tension to achieve a satisfactory balance. If the bridge baseplate tilts up relative to the top of the guitar body, you will have a bunch of other adjustments to make before your guitar will play in tune.
Frankly, for many of the lower priced brands out there, I would not bother.
After that you may need to adjust the two large screws in the spring claw to set the bridge to the amount of float you want, from none (the bridge just touching the body) to about a tone pull-up range (roughly 2-3mm above the body at the back edge).
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Generally 3 springs should suffice for 9 or 10 gauge strings, to achieve 'easy' down pitch
3 springs and yes one in the centre and 2 on the wings for more of a symmetrical 'pattern' - Yet generally the 'claw' will have a slight angle to it, with 'more screwed in' on the bass string side
Hope that helps - any more info just ask
Yes, it's the force required to push down on the bar that's the issue. I use guage 10 strings on the guitar.
I'll take one spring off then and then adjust the two screws. I guess if I do it just slightly, I'll not need to alter intonation etc?
Tuning stability is brilliant on it .
It might not be after adjustment. Good luck.
You can then fine tune the trem tension by turning the tension screws (the 2 screws that attaches the spring "claw" to the guitar body). Make sure you turn both screws by the same amount each time to keep the claw parallel.
It's a complete myth that there is, or should be, more tension on the bass side. As with the position of the springs, it makes no practical difference because the force of the springs is simply summed - there is no point in having one tighter than another.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Some string manufacturers make available the loading tension for all of the gauges, on the most common scale lengths and at various tunings.
It's very easy to disprove - set the guitar up like that, then slacken the screw that's tighter and tighten the one that's looser so the angle of the claw is reversed (if you don't adjust the tuning, you'll know when it's exactly the same because the guitar will be back in tune) and you will find that the movement and stability is identical.
Both the claw and the block are rigid pieces of metal, so the two sides cannot move independently of each other and so it makes no difference which springs are tighter, looser or if they're all the same - only the total tension matters.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
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