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For instance, if the chord it is within is a half diminished relating to a tonic key a semi-tone above then it would be unusual to refer to that chord as having a #11.
If it is a major 7 #11 (ie a Lydian chord) then I wouldn't refer to that as having a b5 even as if you don't play the 5, which you often wouldn't, especially on guitar.
The 5 is sort of implied.
So what you are saying is a good rule of thumb but I'm not sure you can say it happens in all cases.
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