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Love this chord from Sco 3x6643
D/C.
https://youtu.be/92iI99Z94jU
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
edit: managed it
https://i.imgur.com/dcgHCuW.jpg
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Brilliant
Of course the upper part (the D) could be the root, and the C note in the bass is for instance part of a descending bass line. Like in I’m Gonna Leave You, but in the major key. And in D not Am.
8x777x (D/C)
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
V - 8x777x
I - 7x577x
Interesting how a chord can be used/seen in different ways
The other slightly similar thing is when you make a chord with a 2 in the bass instead of a b7. Which is a compound chord. Like the F/G in We Are Family
A: x0222x
G: 3x003x
D 1st: 2x023x
F over G: 3xx211
Even though it’s called F/G it’s a hybrid between a b6 chord and a b7 chord. You could almost call it a G7 (add 2 add 4, no 3 no 5) or something
I love that compound chord. It’s also great as a hybrid IV and V chord, so in A major, instead of playing E7, you play “D/E” as a closer-knit version of it, in a straight barre on the middle strings (0777x). Tender and sweet yet woody and fibrous somehow.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Those IV/V chords are a great in place of the usual V(7). All over the shop on the Gospel scene... Rock With You, Bright Size Life by Metheny etc. I've seen them called (quite erroneously IMO) as G11. I guess G9sus is a better name... or good old F/G. But yeah, a lovely open sound.