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the first bit is in D.
And the 2nd bit could be in G. Could be in Em but sounds more like it's in G, if the finale ends on that chord
First bit reminds me of Get Lucky
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
"You don't know what you've got till the whole thing's gone. The days are dark and the road is long."
The verse could be C but then the 'home' root chord isn't there.
is it crazy how saying sentences backwards creates backwards sentences saying how crazy it is?
"You don't know what you've got till the whole thing's gone. The days are dark and the road is long."
Then the chorus is temporarily in Em for 2 bars, then F#m. But it's not a massive modulation or anything, so really you'd say the whole song is in D. (A modulation is when the music "establishes itself in a new key", which this doesn't do.)
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Intro: A7
Verse: Dm F Am G Dm F C G
Chorus: Em A F#m B A G
So you could say that the song is in Dm, and the chorus modulates twice before the rapid step down with the A G back to the verse.
"You don't know what you've got till the whole thing's gone. The days are dark and the road is long."
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
The Em A F#m B is not really the chorus but more of a pre-chorus lead in to emphasis the shift back to the main key of the song.
In all my years of cover bands I've never played this bit reckon it will go down well. Main Vamp reminds me of Tainted Love
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.