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Watch the parking meters
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I'm not keen on the idea of pedal amps in general, or if it was going to be gigged anyway. I know we put quite expensive pedalboards down on the floor but generally if that gets kicked, covered in beer at least we can finish the gig. Although I appreciate it's probably more convenient to access the amp's features on the floor than if it's behind the drummer. If it's for home/studio use why do you need it on the floor.
http://www.thefretboard.co.uk/discussion/57632/
It seems well built, and is small and lightweight. It's not really a sound I use, but to be honest I bought it as an emergency backup. If a valve dies or my main amp explodes, I can take it out of my gig backpack, plug it in and be back up and running within 2 mins in a gig.
Sound wise I use crunchy British sounds, so other than a backup I'd never use it. I find it quite boomy; even with the bass control at zero it's a bit muddy (I guess the mud frequencies are probably low mids and therefore above the range of the bass control).
The OD200 might be different, I don't know. If the sound is to your liking then I reckon a Quilter would be a good buy.
IMHO, the Milkman 100 is a treasure, and sounds natural, relaxed, and authentic despite its hybrid nature; in my non-UK rig, I run this amp through a Two Rock 2x12" and it sounds wonderful at that edge of breakup point where I like to live. The reverb is simply beautiful, and is extremely controllable. This is - of course - not a high gain amp, but for me it's one of my favourites. And it's absurdly portable.