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https://edmorgan.info
- It's not very loud for it's wattage.
It's louder than my BadCat 15w Cub III. Bad Cat's are considered loud for their wattage and the Two Rock def. goes louder.
- It's a clean amp only
Nope, it does rock tones up to early AC/DC very nicely. It's not a high gain monster, but to say it's a clean amp only is in no way true.
- They are unforgiving
I honestly have not noticed this at all.
The only criticism I'd have it that having two master volumes (one of which is round the back with a bright pull on it) is slightly inconvenient, and I'm not really convinced by the need for independent send and return levels on the verb, but other than that, I think it's a sweet, well designed amp. It's easy to dial in and wasn't crazy expensive when I bought it.
There is no fairy dust though. To me, it just sounds like a nice, flexible Fender style amp which stays happy when you push it harder into rock tones.
Asking for a friend.
Or maybe I won't - he's a big feller.
Beauty is in the eye of the beer holder
My trading feedback - I'm a good egg
just because you do, doesn't mean you should.
If it's too unforgiving, turn up the gain surely....or put a boost of some kind up front.
I think you have to play one to "get" one.
I guess that's my position. No offense or owt, like.
Knowing the amps you like and go for, whish is kind of similar to me, you'd perhaps not find what you're looking for in anything other than maybe the Bloomfield Drive.
They'll all do overdrive, but it's not your typical sounding drive. That said, the drive sound from my Classic Reverb Sig just dominates in a band mix. It has huge authority. For me they are absolutely top tier amps for live use, and that's kind of what they're built for. Live use. 100%
They do expose your mistakes, but Im cool with that (sometimes...)
I've said this a few times, but I had my first one (blonde) and took it to a gig along with my beloved Matchless Nighthawk - itself a wonderful amplifier.
I took it, well, just because really...
I sound checked, and switched the Matchless off. The TR was incredible. So full, so 3D - I dunno, we use these descriptive phrases to try and explain.
I think it was the best I've ever played that night. Cut through, and as small as that cab is, it was a wall of sound behind me.
I went for the practical suede finish
Joyous.
Re. revealing mistakes: I also don't get this, or maybe just in a very special context. All my amps reveal my mistakes. I've had a couple of Two Rocks and they all were lovely but no more revealing than any other clean amp. The only amp that I really hated was a SSS-type amp by Cougar (Mother amp). It was brutally stiff with no compression or "give" whatsoever, and had tons of high end detail. So if you have any kind of (fret) buzz, string slide noise, don't play notes evenly (dynamics) - stuff like that is put under a scope. Really wanted to love the amp but I sold it after a while.