I have been playing a fair bit of latin on my L5 which is fine as it's in a Jazz context but am also thinking about trying to get a decent amp'ed classical sound for this. I have a classical and its not got a chance of keeping with with drums and sax / trumpets so will need something amplified.
I am aware of the Godin Multiacs but know little about the midi compatibility (and if its at all worth having) and even less about others makers.
Does anyone have any experience with these kinds of guitars - any do and don't are most appreciated as there doesnt seem to be a lot of stock in the retailers near me.
Tku
Comments
I've tried one of them quite recently, and to be honest I was shocked that Godin would put their name on it, especially when you compare it to their Multiac and A series of guitars. Though I will say you are bang on about them feeling and a to a lot of extent like an electric guitar,especially the neck width, radius and carve, the Multiac and A series while you can still play them easily like electric guitars - not just bends but 4 step bends tapping and most of the other electric specific techniques, they have a far far more traditional classical guitar feel to them, especially their necks, the neck width, radius and carve - nylons have wider 2'' nuts for a reason the strings move/vibrate a hell of a lot more than electrics and steel string acoustics.
(My own personal preference is for Ovation nylon strings, like this one - https://www.thomann.de/gb/ovation_1773lx4.htm - which is definitely another outlier.)
Thanks - I’ll check them out
I did have a crossover Avalon nylon, that's a £4k model I think.
I disliked it, although it was made perfectly. I had thought I would like a narrower, radiused neck, but it turned out I preferred the old flat 2 inch neck.
If you play classicals anyway, and enjoy it, I'd stick with a 2 inch nut
My real classicals are upmarket, Pro level stuff, but I've recently bought a silent Yamaha (the £800 ones), and a cheap harley benton with an Ovation-style body.
I'd actually say the £130 Harley Benton is good enough to try out just to see how a nylon works for you.
You can send it back after all.
They have some conventional shape ones too, I haven't tried one.
Also I had a thin cutaway Ramirez once, that would be nice for live work
Electro-Classical and Crossover Guitars - A Fabulous Range of Electro-Classical and Crossover Guitars From London Guitar Studio
it's a brilliant shop, they know their stuff. the manager Steph is an excellent player.
I would make sure you have looked at these as well as the solid bodies stuff like the Godins. I think you get more acoustic tone with real hollowbodies
the (out of stock) Cordoba stage sounds interesting, 48mm radiused neck, £600 ish
Cordoba Stage Natural Amber – Mak's Guitars (maksguitars.co.uk)
on the same street, Hobgoblin seem to have a few cheap cutaway/thinline models
https://www.thomann.de/gb/harley_benton_custom_line_nashville_nylon.htm
Back of my mind, the idea of such a guitar was not to learn/play a new style as such - Just a different 'classical' voice' with a feel/playability more akin to what I know - In a way I'm probably better buying a steel strung Fender-esq style electro, fitting nylon strings, re-cut the nut and see how it works - It was only an idea for 'bumming' around in the house
Otherwise, Taylor? My nylon is by them, and it's a good choice if you don't want to dive into the full classical neck experience
https://www.espguitars.com/products/9496-tl-6n-nat
https://www.instagram.com/insta.guitarstuff/