It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
Instagram
so this is the two tailpiece options, prior to the final dirt stages of my relic process
think i'm going to do the fret work nextand get that board cleaned up
Instagram
Instagram
nearly there now, frets are done, board is clean.
forgot to allow for the mini-humbucker brakcet when routing the neck pocket, so need to deepen that a bit,but its getting there
Instagram
Instagram
Instagram
This is growing on me
Instagram
I may not stick to vintage correct spec for the build, but I do try and get something almost authentic looking with the finish. There are a few areas customs age differently to normal LP's, and very different to fenders.
Not everyone is a fan of using a knife for checking, and seeing gibson's examples I understand why, but it is my preferred way of doing a Custom
Most important bits for me on a custom style relic:
- Distinct binding ledge between black and multiply binding, a lot more defined than on a burst. I assume this is from masking off the binding when original sprayed, but the black paint always seems to be quite thick compared to the clear. the edge of the black picks up wear even if the binding isn't worn in the same area.
- Yellowed lacquer over almost pure white binding. You should get hints of white in the high wear areas and top of fretboard binding. Dirt is needed on the fully exposed white binding to make it look worn.. the binding itself doesn't really yellow past a very subtle off white colour. Even lightly worn examples tend to have a lighter strip right on the edge, factory buffing will have left the finish thinnest at that point
- The checking tends to ridge quite deeply over time, and the black is more likely to flake off in chunks rather than wear through gradually like the clear. the back of the necks tend to suffer worse from the flaking, but that's something I choose not to replicate.
- The binding is rarely perfect all the way around, nor is it masked consistently. You may get a wider strip at the waist or cutaway where they struggled to get the binding to fit the curves, or it will be missing some of that inner white stripe where they didn't scrape back consistently
I think I got most of that... I may still follow up with some temperature checking to develop the deeper knife checks a bit moreInstagram
then realised I haven't allowed for a ground wire, so will need to take it apart again soon to drill that from the tailpiece before i wirer it up. also need to cut a nut and find the pickguard bracket
I also had the 5 ply pick guard material upside down when I cut it. Not sure if that bothers me of not
Instagram
I think the black surrounds with the mini-humbuckers make the pickups look further apart too, even though I know they are not.
Its heavily chambered, and I do think that comes through in the acoustic sound so far.
I think the mini-hums and tailpiece make it look longer than a normal LP.
Instagram