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No doubt as can be seen from the above posts,iffy management seems to have been an issue. But surely,evolution and the good old t'internet (whilst on one hand being great for selling things) must have hurt the industry. In 1987 a guy in my band had a Les Paul Custom,which I drooled over for years,and was probably a factor in igniting my interest in guitars. But when I wanted a guitar ,I had to go into a shop and buy one. There was virtually no second hand market. But look at the platforms that are available now for buying used guitars. The last thing Id be doing when I want a new guitar is going to a shop to get it. Ill glady sit it out and buy a used one off the any gods amount of platforms that are available,be that gumtree,ebay,reverb,second hand dealer,forums etc. That's got to hurt new sales massively?
Plus a sad reality is, how many teenagers are drooling over Les Pauls? or any guitar for that matter?
Take a $2000 Guitar as a cost price and at the old exchange rate supplied above (of 1.44 $ to £) ='s £1388.89 - now add UK import duty at 4% so it is now £1444 - then add UK vat at 20% so it becomes £1732
Now take the same $2000 cost price and add a 5% factory annual price increase so it becomes $2100 cost price - now exchange rate is 1.38 - Therefore cost is now £1521.74 - Now add 4% import duty so it is now £1581.84 - Now add vat UK vat and the price is now £1899
So the price increase is always amplified as such
- Simplify the range to focus on the core models across the key price points - e.g. Studio, Standard, Custom
- If the Standard must be £2.5k then develop the £1000-1500 price point and offer Gibson brand to people at more realistic prices, but still with decent quality - e.g. Les Paul Junior, Double Cut, USA SG etc (they are already doing this, so just do it more)
- Keep Custom shop doing its thing and target the wealthy middle aged rockers who want to be Slash, Joe Perry, Pete Townsend, Steve Jones
- Consider how to compete against Fender MiM for the younger, less cash rich guitarists (e.g. high end Epis with 'Made in USA' hardware, or MiK Gibsons (that last one might be a stretch too far?!)
- Identify some relevant contemporary guitar based bands, given them Gibson's and PR the hell out of it
- Improve quality control
- Stop innovating for the sake of it
- Dispose of non-core businesses
- Cut financing costs
- Stop dictating terms to the retailers. Maybe hand pick the very best ones and treat them better?
Anything I missed?
I'd be keen to see some signature models from anyone under the age of 50 and not playing blues. I'm also amazed they've never done a run of The Edge white les pauls and/or Explorers after he sold his for charity (granted he's over 50, but not blues, so halfway there).
Not a signature model but they do seem to be trying to get under 50 non-blues players:
http://www.gibson.com/News-Lifestyle/News/en-us/Taylor-Swift-London-Arena-Residency.aspx
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Or quite possibly the over-30s either...
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
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If you really want to know what Gibson are doing with their prices, look at the $ prices they quote, that rules out changes in exchange rate, VAT, etc. And if you do that, the 2018 price on a LP Standard is lower than it was in 2015, and didn't change between 2016 & 2017.
I think it was established above that a new USA Standard is going to cost you around 2.5k in 2018 - which is firmly in the ball-park of current custom shop pricing (used). Pros and cons of going new Standard vs used CS, of course, but I know where I'd be inclined to put my money.
Similar to the conundrum for prospective PRS customers - new S2 vs used core line.
As an aside, I think used CS prices have nudged upwards recently - perhaps as a result of this pricing comparison, and also the continued upwards curve of new CS pricing.
Of course, Gibson still get to sell their new guitar - to the dealer. But it's going to have an impact on stock levels at dealers (swamped with them, forced to dump, etc) and potentially leads to dealers taking a break from their Gibson contract (Guitar Village, PMT, etc). That then does impact Gibson directly, I'm sure.
My personal take is that Standards and the Traditional model are over-priced for what they are, particularly if two-piece backs are still being used at the given price point. In turn, my suspicion is that the remainder of the line down is like-wise "over-priced".
The dealer "relationship" which Gibson is reported as having is ugly, and will no doubt deter many potential dealers (big and small). When times were really tough at PRS, Mr Smith tirelessly courted and embraced his dealers worldwide and delivered (arguably) some of the company's finest (limited run) guitars. He gave the dealers something which was mutually beneficial - attractive guitars that would sell, even at a high ticket value during an economic slump.
Henry's / Gibson's approach appears to be very different indeed.
I don't think its just that..
I think the year on year model line up is their big issue.. Firstly because they feel they probably cant give up on the auto tuners they now have TWO lines of the same model which in itself is bonkers...
Then because everyone now knows exactly when the new models will be coming out, most sensible people will then just wait for last years models to be blown out to make room for the new ones.. Then theres the fact that they also sell them on Amazon.
Its a totally unsustainable thing to do in the guitar world.. They arnt mobile phones or tablets that get thrown away every few years.. A good guitar will last more than one life time.
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But I don't :-(