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If he didn't know what was going on in his company, then he'd have to be ignorant and incompetent.
If he did know what was going on in his company, and chose to let it continue, then he's stupid and incompetent.
You can't do anything fundamental, but you can make some changes that will appear - to the easily duped - to have had that effect. Some "financial engineering" - eg by changing credit terms, distributor agreements (payment terms), asset valuations, etc - can have a pretty quick apparent impact on the P&L and Balance Sheet without having any impact at all on the underlying business.
Actually, it does have an impact on the underlying business. It makes everyone a bit more comfortable and complacent, thinking that the big man has "turned things around", which means that the fundamental problems get ignored for even longer. By the time it's really noticed, you find you've got a massive debt repayment due in a couple of months, and no-one wants to take your calls ...
*Of course, they're comparable if you couldn't care less about the Made in USA stamp (and I couldn't), but that's not really the point. Gibsons are USA-made, and with labour intensive traditional designs, and that's what you're paying for. Perhaps the market doesn't value that as much as Henry does?
So who will they appoint - A 'professional' CEO with or without Guitar Knowledge or bringing someone within the trade like Fender did in the 80's with the likes of Dan Smith (albeit he was not CEO)
I recall a chat years ago with Paul Reed Smith and he pointed out he started of as a luthier and player and had to learn to become a businessman - Shows how fortunate the trade is to have a figure head like him - Like him or loathe him, he can wear both hats - Very few in our trade today can do this
It’s well documented that he turned the company around - Gibson was in a lot of trouble before he came in. A couple of key decisions (custom shop, re-issues and signature models endorsed by Slash etc...) demonstrated innovation and turned the company round.
The problem is 30 years later, he has run out of ideas.
mobile phones, computing, cars - these industries have all evolved massively over the last 50-60 years. Massively.
So you would think that adding PCB’s and robo tuning system onto a Les Paul would be a natural evolution (ok not natural but you know what I’m getting at) for an electric guitar. Ultimately it’s an electronic product. You can imagine Henry sitting in his office and an engineer comes up to him one day about this amazing idea about robot tuners. You would think it’s a great idea??
Except, at the end of the day - the piano, cello, double bass etc haven’t changed either. It’s a musical instrument. It doesn’t need to change.
He took a big risk trying to diversify and spread into new product areas, and sadly for him it has backfired.
at the end of the day, I really hope someone swoops in and saves Gibson - it’s an iconic brand, making amazing Guitars (generally) and it would be very sad to see them go.
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Not new, but this says it all for me
He did turn it around, but if you look at it, all he really did was re-start manufacturing of old models that were still popular among musicians, in the specifications that were popular with musicians. Then do a couple of signature models for the most obvious players - Jimmy Page, Joe Perry and Slash (again not a new thing... Les Paul, Barney Kessel, Trini Lopez, etc).
The CS stuff was obvious a success, but I can't imagine it accounts for more than 10% of revenue.
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All the talk about who the financiers might bring into to run it as CEO
So we are all looking at options within the trade as to who it might - maybe PRS, maybe X Y or Z etc etc
Just remember that when Henry purchased Gibson it came out of the blue - The immediate talk in the trade was who is Henry - He was not an established person within the industry - So a similar name might come round and acquire the business
Seriously: If you value it, take/fetch it yourself
And he'd switch production to his own manufacturing facility - like those shitty-looking Spectrums he made when he took over Sinclair.
I wonder if the factory where they made Columbus LP copies is still going?