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As I say, person A might love listening to artist X all night, whereas person B may be unable to, and loves artist Y
My mate loves blues rock guitar (ZZ Top, etc), I took him to see Matt Schofield, and he really didn't like it. But when I thought about it, Schofield plays a little bit jazzier than most blues guys, and that won't suit everyone
The other case in point is that I love Jeff Beck's playing, but he is not famous for writing loads of good tracks, these 2 skills rarely converge
Absolutely.
It's diverging from the topic of Mayer, but I went to see Beck once; it was quite a while ago, but he'd already stopped using picks and developed his playing-melodies-with-the-whammy-bar style.
For the first few tracks I was amazed.... after half an hour I was thinking oh god, I wish someone would snap off that fucking bar and put five springs and a wooden block in the back of that Strat....
All personal taste, as you say.
Check out 'In the Blood' and 'Never on the Day' or even 'Changing' for some tasty guitar work.
I am not a raging fan boy but I have seen him a few times over the years and in the early days as a support in the US and with Clapton. He is better live than some of the poppy records would appear as the playing can get lost to the sugary coating.
But in essence, he is a good player (thats from people way more learned than me) writes hits, gets to shag lots of lasses, made a few quid. What more does a successful guitarist have to do.
As for getting him, I think the curse of most guitarists is it easy to crave evermore impressive playing that you can't play.
lets not forget he played the solo on this
https://youtu.be/sk8Pb17pcQI?t=139
As much as a love him, that solo is beyond shit
firstly - is a guitarist supposed to keep soloing over a vocalist?
secondly - does stagecraft allow a performer to look disinterested and bored when another performer is doing their bit?
My point? you can't read much into these scenes