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I remember my 'tone' quest. One part involved heavier guitars with set necks, another involved some players who had the sounds I wanted but couldn't get. The next involved more gear and how to work and set-up a trem unit. Later it was lighter guitars with good bolt-on necks getting a similar sound. Later still it was how budget can you go and get that sound so that a beginner could get good enough gear to develop sufficient technique to cover all bases without having to spend a lot.
I still like to try different stuff and often find what should work doesn't and what shouldn't work does, so rarely buy online (unless I've already tried it somewhere).
The finger thing is important. A lot of the guys (though not all) who had the tone I was after were big guys and they just seemed to have much more control over the guitar than I had at the time (or other guitarists whose sound I wasn't coveting).
Apart from the usual suspects the players tones I've targeted have been, in order, Andy Latimer, Adrain Gurvitz, Larry Carlton Gary Moore, Alan Murphy, Robben Ford, Jimmy Herring, Wayne Krantz, Mike Walker, Dave Grissom, Mike Stern, Oz Noy, Charles Altura.............
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
electric proddy probe machine
My trading feedback thread
The only thing I want to add is people banging on about "small" or "thin" guitar tones... Well you can't really judge a guitar on a record- no doubt it's been compressed 147 different ways and ran through high and low pass filters before being slid into a particular sonic bandwidth in a track.... And if the bands tour is big enough this will probably happen live too.
The secret to good tone is...
Win a Cort G250 SE Guitar in our Guitar Bomb Free UK Giveaway
Maybe, good hearing and talent is genetically handed down by DNA.
So, it's probably better if your Mum was a bit of a groupy with a good ear for musical talent.