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The fact that the thing you are so desperately clinging onto not existing outside of your head I understand perfectly.
Great guitar playing is frequencies, and rhythms, and voltages and soundwaves, it’s all measurable it’s all notateable it’s all numbers, and most of all it’s all subjective.
one persons great playing experience is another’s boring support band.
And although yes I see the thread has wandered slightly, the point I’m trying to make, albeit prob poorly, is that the whole ‘feel’ and ‘vibe’ accusations that are routinely levelled at modelling gear, are nonsense because those aspects of music, do not exist in the real world, the only exist in peoples heads, which brings in observational bias, as demonstrated by the number of blind playing tests that people again and again seem to struggle with working out what’s a valve amp and what’s modelled.
It's nothing to do with "vibe" or other intangibles, it's about whether a piece of a equipment works fantastically for some things but not others.
I will fail a blind test every time if someone else is playing, and pass it every time if I am.
I've spent a fortune in a search for lightness and versatility over the last 20 years and had to give up trying to use it live every time. This is not the action of a Luddite old geezer who's imagining things, I still use amp sims almost exclusively in my studio and have racks of digital gear I wouldn't be without.
This is one of those arguments which only happens online, if we were in the same room with the relevant gear everyone would understand perfectly what the other was driving at.
Also anyone that says feel doesn't exist should not be playing a musical instrument.
Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
One day my family may even let me play my valve amp at home
And I don’t believe in ‘feel’ it’s not a thing, Tone, note choice, technique, rhythm, those are all real things, that when applied correctly (subjectively) they are often interpreted as ‘feel’ I’ve seen a hundred guitarists who obviously have the ‘feels’ (powerstance face grimace and commitment) that should never be allowed to play guitar ever again.
you show me a guitarist that has ‘feel’ and I’ll show you a guitarist employing
Tone
Technique
Taste (note choice and rhythm)
Its all teachable, repeatable and definable.
There is no God, no Magic, no Feel, no Mojo, only human interpretation of physical things, be that sound, shape, colour or movement, it’s all subjective, when I play my digital rig live and jump about and crowd is singing the words back at us, it’s epic, it’s loud, it’s exciting, watch that back on video the next day and it’s totally different, because it’s all being interpreted by my brain.
to say I should not be playing a musical instrument because I have rationalised the various concepts at work when we play or listen to music, is ridiculous and frankly a bit rude, maybe you should not ever cook, if you don’t ‘feel’ the process of cooking, never drive a car if you don’t ‘feel’ the road, never fill out a form if you don’t ‘feel’ the pen....
music is like all those activities.
@professorben that’s a weird way of looking at music. It’s an art, the whole point is to make you feel something or stir up an emotion isn’t it?
Valves are as as good as Digital now, currently.
Use whatever give you the best sound sound and inspires you to create the best music you can.
justify your choices with the use of pixie dust and unicorn snot all you like, or just live in the real world and understand everything is physics and chemistry.
Either way I’m done on this one.
Cheers.
Being deliberately obtuse to misrepresent what other people have stated in order to simply further shout your fingers-in-ears monologue instead of actually engaging in conversation is all a bit embarrassing. It's clear already that listening critically is not your strongest point otherwise we wouldn't be debating this in the first place.
Your 2008 atheist putdowns v1.0 are just cringeworthy in this context. Pixie dust FFS. Do adults actually talk like that?
Edit: Summary.
Man on internet say he doesn't understand something so lots of well meaning people try to break it down as best they can but man on internet decides instead of trying to get his head around a subject he doesn't understand clearly the subject must be voided and EVERYONE ELSE is wrong and only he has the truth and he refuses to accept or acknowledge any new information.
And they are meant to be the Luddites.
Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
"Feel" is not magical thinking, it's just how something responds when you hit the strings in different ways. It IS science, it's just a slightly more complex interaction than simple velocity sensitivity on the "electric guitar" patch on a keyboard.
I dunno, maybe you just leave your guitar on 10 and clang the strings the same way every time, I don't suppose it matters much given your listening ability.
"We've consciously made it feel "real spongy" so it helps your playing... even smoothes over your little mistakes! (Or as one good player said, "It makes my sloppiness sound like expressiveness… I love it!")".
Personally I do think there's a difference in feel between my amp and my modeller, but I'll be buggered if I have the language to describe it properly.