It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
No getting around it, the pedal sounds incredible.
Even the simple single head delays where you think a cheaper offering could do just as good a job, it can't. This does it better. It does everything better.
Now is it worth £400?
Well it's the first pedal I have owned that rates its power in TFLOPS on its website. I can't think of a delay sound it can't turn it's hand to. The sound on sound stuff is insane for people more creative than me. Oscillation works well. Not plugged an expression pedal into it yet.
I love the spring reverb on it and now have a preset of just that with no delay, saving me the space and price of a pedal.
If you make money from music then deffo worth it.
I do not make money from music.
Absolutely cannot justify it. But it made me smile today.
I think it's a keeper. For now.
Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
* Other opinions may vary
Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
I did say in the other volante thread that the Helix delay's don't blow me away. Actually, I quite like the way they sound, especially the tape delay. However, I miss my more interactive delays, Memory Lane Junior, Boss DM2W etc.
I find the helix feels a bit like it adds a 2 dimensional delay sound to your dry tone, whereas some delay's feel like instruments in their own right. This is why the Volante interests me, I need to try one.
Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
Here's my thought process on the pedal.
1. Decide if I want dirty. If so... drum mode. If only a bit... tape. If not... studio.
2. Dial in the record level using a big power chord.
3. Turn the spring off completely for now. Turn the echo level up to the point where I like the balance.
4. Mess around with the head selectors, find a cool rhythm.
5. Turn repeats up to just before it starts to get mushy.
6. Turn the low-cut to just before the point where the delay tone loses it's low end.
7. mechanics to noon. If it sounds bad, then 9 o'clock.
8. Add as much spring as I can handle.
Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
I bought it thinking I was gonna have to sit for ages figuring it out and its by far the easiest larger style delay pedal to navigate and get sounds out of quickly. I love how hands on it is and that there's no menus.
One thing I do personally with every pedal is go through each knob turning to both extremes then listen to what it does to the sound, names of knobs can just make things confusing for me so if I hear a knob is changing the modulation then in my head it becomes a modulation knob instead of 'mechanics' knob for example which could send you down all sorts of unnecessary paths of confusion.
I LOVE the delay and feedback buttons, seriously well thought out...beats trying to figure out ratios and scrolling on the timeline! panning option is super cool too!