My first Jazzmaster build

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djspecialistdjspecialist Frets: 908
edited November 2023 in Making & Modding
I've decided to take a plunge into the murky waters of building a partsmaster.  I'm starting from zero (both in terms of components, and experience!) - so I have many, many questions.  I'd appreciate any input from theFB hive mind, lots of whom I know have a ton of experience on this stuff.

Here's where I have got to so far in terms of planning.

(Mockup image created using the offsetguitars.com Dressing Room app)


Body

I'll go for a new body.  Should I agonise over the choice of wood (alder vs swamp ash), or just look for a lightweight body from a well-regarded builder?  Ditto 1 vs 2 vs 3-piece construction.

The finish will be aged firemist silver nitro.  I'll pay someone to do that.

Is it worth sourcing a body myself and then sending it off for finishing, or should I just ask for a body to be supplied and finished as one transaction?


Neck

My reference point is my 50s Baja: 9.5" radius, fat soft V profile, 42mm nut width, satin finish, medium jumbo frets.  I would love a neck with similar specs (but with a rosewood board); I could accept either a shade slimmer or with slightly bigger frets.

Though I love the look of bound + block necks, they seem harder to find and I assume might make it harder to roll the fretboard edges.

I'd get the headstock finished to match the body.

Something like the Mascis JM neck would be good, but they seem fairly hard to come by.  Are there any other second hand JM necks with similar specs?

If I went for a new neck, which supplier(s) would you recommend?  The JM necks from Hosco and Allparts all seem to have tall frets, which I really can't get on with.  Are there UK builders I should talk to?

I'm planning to level and crown the frets myself, but I'll get a tech to install the nut and do a final setup.

How hard is applying a satin nitro finish to the back of the neck?  Is it just a matter of careful masking and finding a suitable place to spray?  Or is is horribly tricky to avoid ending up with a blotchy mess?  Basically - should I try this myself, or should I add it to the outsourced headstock painting job?


Electrics

Mojo 58-64 with overwound bridge.  A3 magnets.  1 Meg pots.  Standard rhythm circuit.

I'll ask Mojo to provide a complete harness.
Edit: Marc no longer does harnesses.  Can anyone recommend another source?

Hardware

Staytrem bridge.  If I decided later to try a Mastery, would it be a drop-in replacement?

Mastery thimbles?

Vibrato: is the Fender USA AV unit decent?  Any others I should look at?


Pickguard

Parchment, 3-ply (P-black-P).

Does anyone know whether either of these are any good?


Tools

I know I'll need a drill, various abrasives and files - and of course good screwdrivers.  Do I need a drill press?  Anything else?


Finally ...

I'll admit the whole project makes me a bit nervous - but excited at the same time.  I'm methodical, patient, and willing to outsource bits of work which I don't feel ready to take on, in order to get a good result.

Am I going to regret ever starting this ... ?

Thanks in advance for any tips you can offer!

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