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Comments
https://youtu.be/y4pGfTQx_hg
You grow massively as a player from that..
I have been at it 34 years now..Creak Groan !!!
A new guitar that feels really different is inspiring to me..
It pulls me in new directions..It rekindles me and keeps me inspired and fresh..
I say get a Les Paul and don't expect to be fluent on it overnight,you have a whole lifetime of music and creativity ahead..
You are already fluent on a Strat,if you have a gig lined up,use that for now..
What starts coming out of your hands after a while when creating will be very different to a Strat on a Les Paul..
I try and learn those things on my Strat or Tele too..
It sounds mad but it is like a new guitar can teach you new things,or that is what happens to me..
If I just grab a Les Paul and start playing,that music is not what would happen if I just grabbed a Tele..
Some of the secondhand Tribute Models are nice,same with some Studios..
If you get an older model without the circuitboard,,it is easier to change the pickups..
I have further up the line Les Paul's,but love my 70s Tribute with changed pickups and knobs,seriously great guitar..
It gets more use than my Les Paul Standard..
As I bond with a guitar..I often bond with it unplugged too,I think many folk do.
So much of that is a pure feel bonding thing...
Some guitars to get what you want to do electrically as you probably know can take a little tweaking,pick ups etc..
No Les Paul/SG/335 will feel like a Strat,it's impossible..Stating the obvious there I guess..
If you play both your Strat and your Les Paul,you will be able to adapt to each pretty quickly and probably use them for different things..I actually think too long on one guitar can limit you sometimes..
Or maybe I am too shite to be able to do the one guitar thing..Hahaha!!
How many guitar players have used more than one type of guitar,the answer is loads..
Let the differences inspire you,don't expect to be fluent overnight,
Your playing and skillset will expand whether you want it to or not though..
Then again I may be a Daft old Codger,but the whole appeal is it feels nothing like a Strat in the first place..
I say get a Les Paul..It is the gateway to lots of new things..
Now I could never bond with Superstrats I bought..
I find Strat trems stay in tune better for me,but I don't divebomb etc on them..
I had a Jackson Dinky that played and sounded glorious,if it had just had a headstock with straight string pull and a Strat trem on it..
Personally I like all the double cut Gibsons much more - an SG and CS336 are my favourite Gibsons by miles, and find it no issue to switch between those and Fenders.
If you want Gibson, I would say SG as the upper fret access (or lack of) on a LP may bother you if you’re used to a Strat.
Too much is made of the ergonomic thing and the idea of some models being unsuitable for some people. I love my Strat and Les Paul equally.
And I find all 335-type guitars un-ergonomic to the point of being unplayable - huge, unwieldy and too long, with the neck far too far to the left. I don’t mind 330s with the neck set deeper in as much, but then the top-end access is a bit restricted. The 70s Les Paul Signature I had fixed both those problems, but sadly I couldn’t get on with the neck profile.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
http://www.thefretboard.co.uk/discussion/61134/sarge/p1