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In fact, I might try the front half of the Junior with the rear half of the Special.
I know. Shoot me.
Agree with that... I think a switch chip would look wrong with the junior one.
I might try mixing them together, special style near the controls and round the pickups, but junior style everywhere else.
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I have gone for the junior/early special neck join with all of the board off the body. The specials like this had a daft filler strip between board and neck pickup. They quickly moved the neck in by one fret so the last bit overhangs the body, then later moved the neck pickup too.
The proper special plate with bevels most of the way round wouldn't work with the neck join i have here, and I don't like the bevel straight after the fretboard on later specials.... so its not only a case of deciding shape, but how much to bevel.
I think it needs to be black, likely 5ply
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I think it would be funky in white multi-ply, but I'm still thinking of Dave Hill and John Birch.
And of course it depends on the colour of the finish.
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Here it is next to my john birch, which uses a similar style of inlay
Not sure how JB did it, but its common to see the pearl turn black like on my example so i suspect a black glue and thinner inlays Its not black pearl, but ends up looking a bit like it. The JB ones are a better size than mine, but I do expect the look of mine will change once its got a lacquer tint on it,
Some less discolored JB inlays showing the border a bit better
Fender do pearloid blocks in maple with no border - they often get a bit lost
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Any shots of the back of that laminated flamed neck @WezV ?
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