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Comments
If you liked the feel of a big box ES175 & didn’t find it cumbersome you probably won’t shy away from them. They are big and the necks do feel too small for the size of the guitar IMO but they do look fantastic.
Any double cutaway Gretsch I’ve played just didn’t feel Gretsch enough for me and are missing that airy sound that you get from a falcon or 6120.
Falcons do seem to keep used value better than other Gretsch’s. But like others have said most Japanese Gretsch are great guitars but you often have to try a lot to find the one suited to you.
Just need to find one now!
No Bigsby, and the best inlays and headstock.
https://www.ebay.co.uk/itm/GRETSCH-SILVER-FALCON-GUITAR-/114698641915?_trksid=p2349624.m46890.l49292
I find the Falcon / Country Gent / Anniversary / Chet Atkins / 5420 models all too similar to distinguish with any certainty.
I will say that I'm not personally a fan of the Player or centre block models and I'm not a fan of the Electromatic range either. They are all great guitars and the Electromatics are superb value. None of them are "real" Gretsches though in my view. A big part of what makes a Gretsch unique is that daft construction. The lack of feedback prevention, the neck sitting high over the body so that you have a bridge floating on a hardwood base and a Bigsby without a tension bar or through stringing.
If you go for something more modern, with the annoying wrinkles ironed out, then yes you will get a more stable and predictable guitar but you're not getting what I see as the Gretsch experience. An experience I totally understand why some people want to avoid, even if "a Gibson in a Gretsch suit" isn't for me.
And p.s.
There is a reason why all the coolest Gretsch players play a Jet
I agree with @TheMarlin about the Annies - up until early last year I had a Jaguar Tan one that he had previously owned and it was a beaut, there was just something special about that particular guitar, in hindsight I should have kept it...