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The thing about profiles is unless you have same guitar, playing style, and similar listening environment it's a bit much to ask that a profile sound good out of the block.
It's like letting someone else dial your amp in with a different guitar at their house, then going with whatever they came up with for your gig.
It's a big part of why I'd prefer a Fractal or Helix over a Kemper... I don't own any real amps anymore so don't want to go trying out loads of amps other people have dialled in. Having a full model is faster in that scenario IMO
I wonder if there are any in warehouses or perhaps display models that are 2 or 3 updates out of date.
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
less than a week into owner the floor controller, I haven't even left the house with it, but I totally get it it. So much more usable. And simple to set up. Should have listened earlier.
Until that goes
My Roadster is a stand for the rack
I'm disappointed with my Helix for the first time since getting it last year.
I bought a new amp recently, a Morgan PR12, which sounds great and I want to use the Helix for effects only through the front and it works a treat for that no problem. I have everything I need either in stompbox mode with scenes for each of my guitars or I can use presets as and when required. All good.
But, this weekend I spent some time A/B'ing between guitar direct to amp and via Helix with everything off and there is a change in the dry sound running through the Helix. I'm losing something that is really hard to put into words, but a smoothness, rounding of the tone, is lost and the dry tone through the Helix sounds a little colder, brighter maybe, a little more solid state amp sounding. It's subtle but noticeable.
The Morgan's pure tone is so good that it's really worth preserving so I am in a dilemma now as to whether the Helix is really cutting it for me in front of the amp but I love the mulit-fx programmability and convenience and also have the Helix available for direct to desktop playing and recording, just wish I could keep that pure Morgan tone.
The best approach is to accept the change, not get obsessed with A/B'ing, and dial in your amp with the board/Helix in the path, you may have to change the tone controls or volume to compensate but ultimately if the sounds coming out the end are satisfactory then jobs a goodun.
I got over my own dilemma by putting a very nice and very subtle sounding compressor as my "clean" sound (I.e. I never run the amp with no pedals at all), it enhances the tone to the point where I prefer it to going direct so I don't feel like I'm loosing out now.
Having said all of that, digital gear does do something else, it is converting your signal to digital and back again, there's no getting away from that.
By comparison digital sounds awfully simple - the field gets turned into numbers, sums are done, and another field is generated based on the sums.