It's come back around again, i knew it would.
I haven't played it in anger since i was in my cab 18 months ago and the title track came on, i've just got a new strat, compressor and delay pedal and, well one thing led to another and now the album is back on the daily playlist.
I had genuinely this time forgotten just how good this is.
I've also got the live version at earls court, 1980 and that's just as good.
My Father introduced me to this and The Wall was the first album i remember along with Wish You Were Here. He used to call it "Wonderfully simple music, wonderfully arranged and played perfectly".
I call it "Timeless".
(My Dad's daft 'Dad Joke' used to be to follow me saying that with "Yes because that one is on Dark Side of the Moon !" - Miss you Man !)
Comments
Discuss.
Gilmour once described it as 'a bit of a winge'. That's my opinion too....
*An Official Foo-Approved guitarist since Sept 2023.
I like some of it, the odd song but that's all.
Their shortest ever single was 7.55mins long.
*An Official Foo-Approved guitarist since Sept 2023.
It's not something I can listen to unless I'm in the right frame of mind though - it's too powerful and personal. In my opinion Gilmour describing it as a 'bit of a whinge' means he never really got it - despite clearly knowing Waters far better than I ever will and contributing some of its best musical parts.
He also didn't get The Final Cut at all, which in my opinion contains possibly Waters' greatest writing. Gilmour said that the songs were ones that "weren't good enough" for The Wall, whereas I think they simply didn't fit - the narrative of TFC is slightly different from The Wall. (Shoehorning When The Tigers Broke Free into The Final Cut on the re-release doesn't really work either - it needs to be either at the start of The Wall, or the start of TFC.)
It has to be said that I'm clearly a Waters fan rather than a PF fan though - I've never really liked the Syd Barrett period at all, and I don't like "Pink Floyd" after Waters left either. Although I do like Wish You Were Here a lot, and that's probably the least Waters album in the middle period.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
It's maybe relevant that I seem to remember it was written about the relationship between the two of them ?
missed.
I think it probably is too - although for me it's always been somewhat spoiled by the last two tracks. But the best of it is better.
I also think Amused To Death might be, which Waters himself seems to think.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Ironically it has some of David's best work on it.
As with all these things, DG + RW, NM and RW2 together are a figure greater than the sum of the parts.
*An Official Foo-Approved guitarist since Sept 2023.
The frustrating thing about Gilmour and The Final Cut is that the song he plays best on is The Fletcher Memorial Home, which although not bad is far from the best song on the album - although he's also good on the title track, which is one of the best. The real power of that album is the first side though, and Southampton Dock.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
*An Official Foo-Approved guitarist since Sept 2023.
The Final Cut is excellent but hard going, still one of my favorites though and I think the three albums entwine nicely.