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https://soundcertified.com/speaker-ohms-calculator/
I play guitar and take photos of stuff. I also like beans on toast.
One set to 1 second, 0% feedback, 50% mix, the other to 2 seconds, 0% feedback, 50% mix.
So the first delay copies the note after a second. The second delay copies the note after 2 seconds, and then copies the 1 second delay at 3 seconds.
Then set the tap tempo to 120bpm so that the tap LED works like a metronome. Perfick. Now I just need to work out what it is I need to play for this to work.
When they're actually in sync with each other, it provides worlds of inspiration!
Did you say something about always running everything into the front of the amp?
The higher the repeats, the lower the mix
The lower the repeats, the higher the mix
The cleaner the amp tone, the more you can get away with modulation, grit, and filtering on the delay
The dirtier the amp tone, the more straight-up the delay tone needs to be to allow the amp gain to take centre stage
I've heard people say things like "why spend £400 on a delay pedal just to put it in front of a high-gain amp sound. What's the point!?" but nothing could be further from the truth in my experience - getting the gain and mix correctly dialed in on the amp and the pedal can lead to loads of wonderful and unique sounds.
Generally unless I want something extra special, my mix wont go above 15% on the delays when I'm using any channel other than clean. But I have my repeats pretty high in those cases, and it depends what the song calls for too.
I've been wondering about running the delay and reverb in a parallel path with a bit of dirt at the end, with the serious filth in a separate path.
Maybe you were distracted by the seal?
If you hover over the date under the username then it'll tell you the time it was posted.