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chances are - if this is in the trenches/throw&go/multi band festival:
- I may have only allocated one guitar mic - i.e. only one of your cabs will get mic'ed.
(unless I understand exactly what you're doing with the two) If I mic both, I will pick the cab which sounds the best and turn it up - the other will probably be left down or not used much.
- I will refuse to run your rig 'in stereo' - mostly because I don't really run PAs in stereo (for good reason) - so any clever delay/chorus/wobblefart effects you have 'in stereo' will not come out of the PA in that way
- I will probably make assumptions about your talent level vs kit ownership
Many, possibly most, of these things will be unfair.. But when I have 10mins to get you on stage, mic'ed up, prove I can hear every instrument, and get a 95% sorted mix, they will be the truth!
Obviously a different story if you bring your own engineer, or have long soundchecks, or are in a headliner-position to demand what you want.. (or literally never get mic'ed up at all)..
Live I mic whichever one sounds best in the room. The lack of ping-pongy delay and stuff means I don't need to worry if only one is mic'd. Now I'm splitting out of a PS3 doing dual pitch shifting (one + one -) so I will probably have to rethink the mic'ing, or just be lazy and mic whichever amp has the detuned signal.
most of the in house guys are happy to take a couple of feeds out the back of the helix once I re-assure them that I know what I'm doing. Every time it has sounded superior to the miced cab of the other bands
(plus I get my stereo panner and choruses running)