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Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
path 1A: amp1 / pan
path 1B: col / amp2 / pan
path 1 -> path 2
path 2A: amp3 / dual cab
snapshot1 [riff] = amp1 active: pan=left / vol=bypass: amp2 active: pan=right / amp3 bypass
snapshot2 [solo] = amp1 active: pan=bypass / vol=0: amp2 bypass / amp3 bypass
snapshot3 [clean] = amp1 bypass: pan=bypass / vol=0: amp2 bypass / amp3 bypass / amp3 active
next experiment will be to control parameters via snapshot
essentially get amp1 cooking in snapshot2
yes.. and typical with modellers you get the gap in audio as the DSP's reload..
this is where the snapshots come into play..
same with scenes in the Axe-FX..
the tone transition is immediate / seamless and you'll preserve the tails of ambient fx..
R.
Eqd Speaker Cranker clone
Monte Allums TR-2 Plus mod kit
Trading feedback: http://www.thefretboard.co.uk/discussion/60602/
when it comes to changing presets seamlessly, the 2120 still wins hands down..
a unit from the early 90's still kills them all
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
I get around it
the transitions that matter most are riff -> solo and clean -> solo
the amp for solo is in a different block to the clean amp and is the same block as one of the riff amps
clean -> solo is a change in signal path, riff -> solo bypasses one of the riff amps and changes the pan in the other
the only transition that has a gap is clean -> riff because amp2 has to flip Y->X
the clean tone has a nice big reverb so the trails mask that..
so essentially… there is never a gap
that's exactly what I did..
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
these transitions are most common and I've made them seamless
riff -> solo / solo -> riff
clean -> solo / solo -> clean
clean -> riff / riff -> clean only happens in 2 songs in the set
in one song [Starless and Bible Black] there I have a 2 bar rest to get from clean to riff… which is easy.. lol..
in the other [Exiles] there is no gap clean -> riff which is filled by the reverb tails
and no gap riff -> clean.. this is the one that is most exposed so I mask it in the performance itself by 'throwing away' the power chord which leaves a logical 'rest' of 1/8 note.. so in this case the transition is 'apparently seamless'..
yes it has all that beautiful Fractal modelling - which to my ear is still far superior to everything else..
but there's a lot of other stuff missing in the control areas..
folks talk about it like it's an Axe-FX with only one amp and one cab..
in reality it seemed to me to be a bit less than that..
sure it'll be a fabulous unit for a great many folks, but not for me..
What band do you play in, by the way? If you don't mind me asking.
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922