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See 2:20
https://youtu.be/8B7hfx8Sgw4
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Short delay into long, or vice versa is really nice for ambient stuff. Sometimes you get a happy accident of the delay times beating against each other for cool weird effects.
I coole gig quite happily with just the longer delay but having the short one makes everything sound bigger.
On the board DSD2 and Boonar - plus a Line6 M5.
But I also use a Mooer Ocean Machine for recording - incredible thing.
My Line6 M13 has one scene where every button is a delay. The auto-swell delay into a ping pong stereo delay is incredible.
I’ve got one atm, but will probably go to 2, something for slapback (Dm-2w or aqua puss) and something for long and modulated delays.
(El Cap, MLj, MXR echoplex etc).
Probably easier having 2 desicated than one with presets.
Bandcamp
Spotify, Apple et al
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
edit: here's DD3 slap followed by a DD7 on reverse mode, quite an extreme example https://www.dropbox.com/s/zlk62ih5c4k2fyt/delays.mp3?dl=0
I use blended 4th 5th mode on my whammy a lot too