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Ed Sheeran song using G-Em-C-D
https://www.youtube.com/watch?v=OCYXDBOZPp8
Stand By Me song using G-Em-C-D
https://www.youtube.com/watch?v=LcFcGoQ0c_g
3579 lesbians are mighty fine.
there are various etudes i play, for example one called “Prelude in Am”. Starts off on Am and then works through a number of arpeggios in the typical chords. Halfway though it moves into a series of Arpeggios which start off on C, and then after 8 bars ends on C. Then starts off again on the Am and through the arpeggios and finishes off on Am.
The first and 3rd bits “feel” moody/unhappy, and the middle bit “feels” a bit “happier/brighter”.
But (for obvious reasons), no change in key signature.
So does the piece go from a key of Am to a key of C to a key of Am?
Or, as I tend to think (but may be wrong) it doesn’t matter?
Perfect would be the D to G or V to I
To be honest, I'm never convinced that over analysis of rock is worth the time... Fairly sure a lot of the songs are conceived by trial and error based on inspiration.
Emajor I believe.
Very face melty in E major I think?
Rosanna is a great shout, the lead break and outro are fantastic, and I spent a good couple of months learning them both last year!
At the moment I'm looking for:
* Hamer Watson, SS2, Vintage S, T62.
* Music Man Luke 1, Luke II
Please drop me a message.
now EVERYONE can learn to like them!
https://youtu.be/3Eaz9zMk2yM
At the moment I'm looking for:
* Hamer Watson, SS2, Vintage S, T62.
* Music Man Luke 1, Luke II
Please drop me a message.
Steve Clark's outro solo on Pour Some Sugar on Me
In These Arms by Bon Jovi
Andy Timmons on Crazy Nites by Danger Danger (second half is extremely shreddy, first half is comparatively easy and has some nice ideas).
I think Right Now by Van Halen? Most of the song is in F major, can't remember if it modulates at any point. Also the second solo in Dreams.
Don't Treat Me Bad by Firehouse.
Numerous Bryan Adams tracks, including Can't Stop This Thing We Started.
https://www.facebook.com/benswanwickguitar