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In terms of the eternal conflict between good and evil, Outlander has an abundance of low-hanging fruit for the 'evil' side. When you take a terribly, terribly PC woman from the 20th century and cast her amongst the ignorance, superstition, and cruelty of the 18th, you're never short of someone to hit against!
Until not that long ago, the ability to read was a ''get out of jail free card'', I can't remember what the psalm, passage or prayer is or actually called, but it was colloquial called at the time something like ''The Thieves Prayer'' or ''The Thieves Psalm'' or ''The Thieves Passage'', which was a specific part of the bible you would be asked to read to prove you could read, and if you could read it, you would be spared jail and any punishment, of course most of these people never bothered to learn to read, and instead just memorised it. The ''book'' and it's impact on everything from culture, to art, music, writing, architecture, hygiene, laws, punishments, literally everything - and I really do mean everything even other religions like Islam Jesus is a prophet in the Koran and the angel Gabriel is even has a huge role in the Koran, is an extremely fascinating and interesting history.
...and talking of upsetting, I watched Breathtaking on ITV. My wife's a nurse; she couldn't watch it, as it brought back too many painful memories for her. I spent the whole of the three episodes swinging between sobbing & outrage.
3 episodes in and I’m enjoying it greatly. Interesting concept.
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One thing did occur, though. There's something that doesn't quite work about having three characters in the 18th century who know what's going to happen all the way up to the 1960s, since that's where they come from. I think it would be more dramatically interesting if the characters who've traveled backwards in time suffer from a partial amnesia in the process. It would add a dramatic tension whereby they sense something momentous is going to happen but can't quite remember the outcome until it happens. There's something a little flat and fatalistic that they know, for example, that the Revolutionary War is going to be won by the Americans.
I enjoyed it, I think some of the sub-plots were more engaging than the actual story, but that wasn't so bad in itself.
The characters, especially Dove (Siobhan Cullen) and Seamus (David Wilmot), were quite well written and portrayed, I think that kept me watching as much as anything else.
There is no 'H' in Aych, you know that don't you? ~ Wife
Turns out there is an H in Haych! ~ Sporky
Bit of trading feedback here.
Very odd. Not sure about it at all and I've now seen 4 episodes.
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we have binged the first 3 of Dark Matter on Apple TV+ tonight. Really enjoying it.
Also watching Trigger Point on itvx at the moment. Very gripping, but it's heading into 24 territory for me; the police seem to be lurching from one unthinkable situation to another, always a couple of steps behind the bad guys, but always just about scraping through. Having said that, I'm thoroughly enjoying it
I haven't put my finger on why exactly. I'm usually a sucker for historical drama, but this one seems relentlessly flat, despite its attempts at rugged authenticity through unglamorized characters, unfiltered violence, and a fair portion of T&A. Maybe the characters are inexpertly drawn or the plot has failed to create tension. Could be the latter, but I'm still not sure.