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Two days later I was in Project Music and came home with a Brook Taw. And even then it was odd how some guitars speak to you and others do not. There was one Taw (spruce top/rosewood body) that reminded me of all those Martin OMs - a bit flat. There was another (spruce top/bubinga body) that sang like a piano when gently played and that's the one I own.
There's no substitute for playing as many as possible - and putting your prejudices about nut width, neck radius, number of frets to the body to the side. All that does is reduce the number of guitars you might be surprised by and love.
^ But all of that is off the topic I wanted to pick up on. Like you I also played two very similar Brooks in Project Music when I was there in July, both of them in spruce and rosewood. Same body as I recall, or perhaps just very similar, I forget already. And they were quite different! I wouldn't say one was better than the other, though my friend and I did both prefer the first one to the second one. But we both liked them both. Just a matter of personal taste - but for two guitars with theoretically identical timbers in the same body from the same maker to be so different really was interesting.
One thing to watch out for. I do two things when I go guitar shopping which I think really hold me in good stead.
* Use a known reference guitar to calibrate your ears. Every room is different, and I think one hears things differently on different days. So I always bring one of my own guitars in as a baseline. If that is impractical, I ask to play something I know well and like. (In my case, being far from home, it was one of Project Music's Matons - guitars I know very well and like. For another player it might be a J-45 or an OM-28 - anything you reckon will give you a known starting point before you play the other ones you fancy.
* Tune to standard! I take a clip-on tuner with me. At Project Music (and I've seen the same in other shops) all the guitars were more-or-less in tune, but they were not all in the same tune! Several were in about Eb and one was closer to D. This makes a huge difference to how a guitar sounds and feels! You can very easily conclude that (say) the Furch is dull and flat compared to the Lakewood when in fact the former is tuned to Eb and the later is in concert pitch. Or you might think the Lakewood is harder to play and bend notes on when actually it's the same as the Furch, just tuned higher.
My YouTube Channel
If you're going to Richard's try a Dowina as well.
I've had words with Richard in the past. If you disagree with any of his opinions, or his business model you'll fall out with him. I know people who have bought from him purely on be a customer/supplier basis and they can't recommend his products and service highly enough.
https://furchguitars.com/en/instruments/limited-editions/2018-limited-edition/
I was intent also on trying some Brook guitars. The Furch was a lovely instrument and it's only really the small scale production of Brook and that I grew up in Devon that ultimately meant I bought the Taw instead of the Furch.
Maybe because they don’t have the wide name recognition of the big American(or British) brands their used values can be a bargain.
But in the UK, sure. Aitkin seems to be quite well known and I don't recall anybody having a bad word to say about them.
Still both are minnows compared to Furch, which has become a major worldwide player.
I could be wrong, but I'm assuming they pay UK tax, for example.
https://find-and-update.company-information.service.gov.uk/company/NI054467
Registered on Companies House...
Now to complicate matters there’s a Stonebridge G23-CR in guitarguitar for 849! I could save 1K…and I’ve just checked YouTube vids on these and they sound like the Yellow series to my ears.
what would you do?