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Comments
One of the only amps I've ever sold is the DSL100
Horrible fizzy buzzy thing with a disturbing tendency to combust
I replaced it with a tiny terror
That's how bad it was
Maybe mine was a bad example but they use them in the rehearsal studio I use as well and when they are working (which is about 50 % of the time) they are hateful
I'd much rather have almost anything
But I know a lot of guys who love them
(Btw I don't like Mesa Amps either apart from the Lonestar or the Stilleto) so it might just be me
If all I needed was a clean and a high-gain tone, I could've got by with any of them. The JCM900 slightly edged it out of the two Marshalls though imho.
The crunch channel was amazing to be fair
Also the tone shift and deep buttons were completely superfluous
They did nothing but make it sound worse. I don't why they were even there
You crank a DSL to reasonable level and switch on the deep switch
It simulates dropping the cab down a well ...
After playing just about every combination of the above, I came to the following conclusion.......
I like all of them for different reasons and would be happy gigging with just about anything
And today at Matamp I've got a GT150, GT2 and a vintage OR to give a thrashing, which is why u get reminded how much digital actually sucks. It never does that sensation of strings reacting to speakers and the sound hitting you between the eyes.
Having said that, it's very convenient and also much easier to play/flattering. Which is often a good thing.