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@rocktrout has my first Bad Cat Black Cat - bloody LOVED the colour scheme on that one!
I also had an early Bad Cat Cub II for a few months, the original one, I couldn't wait to get shut of it. I hear the newer models are much better though.
(formerly miserneil)
Cheaper than a new amp too, even though it's expensive for a speaker.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
What I'm craving is that compressed edge-of-clean/crunch thing that good Voxes and Fender Deluxes do, but a fuller midrange when wound beyond that. TBH I've always used pedals for gain beyond that clean/crunch point, and will continue to do so, so I just need an amp that doesn't get raspy.
The EF86 channel of the Badcat Cub III sounds perfect from demos and from what people have said I'm pretty confident it'll be what I'm after. I have a tab open with a 23-page TGP thread that I'll wade through too then we'll see...
Works great for home playing.
Brill amps, I love mine.
Thanks, I didn't realise that. Not actually sure if the AC15 is quite the sound I'm after but will google...
Not sure MV would work too well with a tweed deluxe as a lot of the drive is from the power section.
*An Official Foo-Approved guitarist since Sept 2023.
The Maz sounds fantastic here at 2:20
My YouTube Channel
My YouTube Channel
For me power scaling doesn't do it - you don't get the 'bounce' because the power supply isn't under the same load when the amp is producing less power. Only attenuation does that.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
My YouTube Channel
Basically:
Master Volume - a volume control at the end of the preamp. This enables you to get preamp distortion at low volume, with the power stage running clean. There are at least a couple of different types, which work slightly differently.
Power scaling - controlling the actual output power of the amp by altering the power supply voltages. This does give power-stage overdrive at low volume, but still without the sag/compression from the power *supply* being loaded heavily.
Attenuation - lowers the power reaching the speaker, without affecting the amp. You would think this would be the best (and in my opinion it can be) but it tends to affect the way the speakers interact with the amp so it isn't always.
My preference is for a mixture of master volume and attenuation. I've never heard an amp with power scaling that I think sounds natural when it's turned down - but I know many people think the exact opposite.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein