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Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
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Go back to absolutely first principles, ignore everything that's been done over the past fifty years, and design a solid-state amp from the ground up using the same type of circuit topology used in valve amps - ie not using any of the now-standard solid-state 'building blocks', especially in the power stage. It should have AC-coupled single-transistor stages, a single-rail power supply and an output transformer. (All things you will be reading about relating to valve amps.)
Then see what it sounds like.
Sorry, thread diversion .
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Honestly, for an IC designer, BJTs (which we use in automotive applications) are outdated but valves.. lol... that's like the stone ages. But I'm loving this! And a lot of the principles are the same so this isn't TOO difficult a read. That RDH4 book is mammoth, though.
I know a lot of audio IC guys in Edinburgh - I wonder if any of them would be interested in a super amp project. I wonder what background folk from blackstar, Yamaha etc have who do all their modeling..
Anyway, lots of reading to do yet!
My YouTube Channel
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You're probably as well-placed as anyone to try something like this given that you use 'outdated' solid-state technology and have no audio experience yet.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
My YouTube Channel
Everything has a purpose and is interesting in its own right
Would be interesting to take an inverse FFT of a bunch of harmonics you select to see what makes a good sound. I must check what references there are for this!
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After that, more sophisticated designs started being used which have been up to the present day in Class AB amps, but these have very different power-stage characteristics. My guess is that the reason they don't sound 'right' to guitarists is because of this, but I've never been able to confirm it.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Nowadays you might almost be able to afford to design a custom IC and PCB for it to go on.. I'd love to try that - all integrated..
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I want a proper analogue solid state amp that works and sounds like a valve one. And I believe it can be done…
You really need to hear an original, un-blown-up T60 to understand, possibly . I have, and it's amazing for a solid-state amp - not *quite* like a Vox valve amp, but much closer than you would ever expect given that it's essentially Mk1 as far as solid-state goes.
No - that would make it effectively unrepairable in the future, which is something I would want to avoid.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
You see, this is what happens when you let proper electronics engineers at it!
I too would like to see if it could be achieved. Some of the nicest solid state amps are those earlier designs that didn't try to mimic valve sounds exactly, but did their own thing. I prefer those to the fake valve simulators that came later and don't sound valve-like anyway to me.
Sorry, been out all day - actually away from the screen for once!!
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It's AWESOME and exactly what I'm after. I'll probably want an attenuator for maximum flexibility but the K-Master works really well and it does that brilliant chewy, chimey, not-quite-clean thing absolutely perfectly.
In in other good news I tried a spectacular Masterbuilt Strat that was genuinely both brilliant and only fractionally better than my own bitsa strat, which is a lovely feeling.
Also had a quick bash on a Gibson ES-275 which was very nice, and saw an LP Custom Classic Lite (I think) like @fretmeister just bought which also looked reeeeally good.