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http://www.thefretboard.co.uk/discussion/57632/
Nick Reinhart is awesome. So is his band, Tera Melos.
On second watch, it's maybe not as bad as I remember. I've had a long week....
I'd also echo the comments about not really hearing the guitars - too much wang bar, too much talk and not enough playing... the vast majority of Offset players don't play like that, so why do all vids seem to show them being played on the trem. It ends up sounding dreadful - much like someone who doesn't understand how to play with a slide, but may know half a dozen licks...
Interesting guitars, though.
I said maybe.....
What sold the offsets to me was the clear ability for them to allow the player to bend with frets that play like buttah. I mean. 2017 could unleash a whole new style of music with that flexibility.
Alas, I sense the pointless clichés next year may well be the same.
Other than that, the guitars could be interesting :-)
My music:- https://soundcloud.com/hubobulous
contactemea@fender.com
Why do you get it so wrong year after year?
I said maybe.....
Just wondering what you'd change? I'm not very familiar with offsets, so genuine question.
My music:- https://soundcloud.com/hubobulous
The jag has the 4-way switching everyone like in the Marruar but the upper control seems like an afterthought- a plain upper control plate would have been fine.
The Marr/staytrem style push in Trem arm would have been preferable- if the screw in one is the same as my Classic Player unit there is a bit too much play in the mechanism to be ideal but worked fine.
Im not sure how I feel about maple necks but some cool colours. Pickups are unknown quantities - I hope I was wrong when I suggested the JM didn't sound a lot like a Jazzmaster. The jag sounded good though.
Though i do enjoy how adding a pop-in arm is an upgrade on the strat but a screw-in is the upgrade for the JM/jag