It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
also what the deal with the stereo and mono versions of particular fx? Like obviously I can hear the difference in say the vintage digital delay between stereo and mono but why is it that sometimes I can only choose a stereo reverb even if I only have an amp and cab in the chain?
and being the last effect block does this reverb get summed to mono when I'm not playing in stereo?
i know this has been covered but it's still confusing me why sometimes only stereo versions are available when it's a bone dry patch
Yeah I was really just wondering if there multitap delays were based on anything in particular. There's a dual delay in there too I'm sure? I really like the default repeats on the multitap 4 doodaa. Makes me want to get all P&W!
So it sums to mono if only using one output? That's cool. As I use a small patch bay there is always one output plugged into but if I'm using the headphone out at the same time that still stays in stereo. Which is cool. That could have been a small PITA if it hadnt
just for talking sake how does that work in the multitap delay? Does that run the first delay into the second and so forth? As opposed to the dual delay running them in parallel?
With a short delay into a long delay you get three repeats - one at the short delay, one at the long delay, and one at the long delay into the short delay.
With a multitap you get as many repeats as you have taps; they don't feed into each other. Think of it like a tape loop with one write head and multiple read heads.
Gotcha! I've never been a big delay guy so never quite knew what the score was with this stuff!
You can also leave a gap before a series of more tightly spaced repeats, so that your initial notes get a bit more "room" but the sound still fills out nicely. A bit like pre-delay on a reverb. Which can also make it sound more like a natural space. Lots of possibilities.
i I was blown away by the S-Gear 15 day trial just before I bought my Helix. The Helix wasn't quite there modelling wise. Whatever's changed has put it on a par and after buying S-Gear last week I don't think I really have a preference between them now.
in fact, I don't even adjust the Plexi BRT model anymore. Not even the eq. I used to be fiddling with the sag and bias and all sorts just to get rid of the squirrels and could never really settle.
now it just works (into an Own Hammer IR) straight away. Majik!
I still can't get the Fender models to sound nice. Spending all my time in the Essex 15 and the Line 6 hotrod.
L6 said there may have been "changes in the background", I refuse to believe I'm imagining it
8 amps into 4 cabs ... real life helix
http://www.kahayan.es/#!selector-8x4/c24kn
is it crazy how saying sentences backwards creates backwards sentences saying how crazy it is?
A few suffered the problem less than other namely the Soldano model.
after v2 I find it difficult to hear in most of the amps. I'll not vouch for those amps that I wasn't familiar with before.
I had spent a lot of time messing around with the Plexi BRT. I don't care what anyone says, it's changed somehow. For the better.
the new amps that were added seem to be completely devoid of this "problem"