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Comments
to make it one long chain do I have to kill the level at the very end of path 2a?
now that I'm getting all tones from 2 amps I have enough horsepower remaining to try to build my 'morph to pad' preset..
not completely there yet but have made some significant leaps this evening..
like all fx units.. they each have their own strengths and weaknesses..
so it means that you have to find a different way in each to come to the same outcome..
the key is knowing in detail the outcome you're looking for.. and then working through how the unit works / what it can and cannot do.. and then find a way to get there..
absolutely..
I do know that these simple errors can really kill your perception of a unit..
thing is.. you don't know you've done it and so you're not looking for it
I discovered my lil' prob completely by accident
I was thinking to go to the output of path 2a an zero the level there to ensure that 2a never gets to the output jacks
path1b is a loop within path1a, the end of path1a routes to path2.. nothing to solve there..
path2b is also a loop within path2b so nothing to solve there either
however, when I try my next lot of experiments, path2 will be a single long chain 2a -> 2b
so I will need to zero the level at the end of 2a when I set this up..
it's all becoming clear
It's very flexible. But you need to think a bit different to the Axe Edit 4x12 freely routable approach.
Both work but I don't have to remember to put the block
I've spent a lot of time on bass tones with it, but for guitar use I am really just a terrible 1980s throwback.
Sound a bit like Zakk Wylde? Squealies too easy to the point of being annoying?
Fuck it. That will do.
https://soundcertified.com/speaker-ohms-calculator/
Guitar comes in and is immediately split to it's own digital output in order for me to capture DI's.
It also gets routed through a fairly standard for me 'pedalboard' setup.
The output of the pedalboard is then split to FX Loop 1, which is my real amp. It goes through a noise gate and then out the main output in order to complete my 4-cable method setup.
The output of the pedalboard is also split to two amps and a cab, and that goes to it's own digital output too. So I can record an amp modelled version of the sound, alongside the DI.
Then it's just a case of putting a microphone in front of my cab, and I can record my real amp at the same time too!
Works very well.
the unit with the routing that was most difficult to get used to was the 2120
once you understand it, it's a piece of p1ss..
like anything I guess… easy when you know how
PA and amp together… nice solution..