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https://cziltangbrone.bandcamp.com/album/null-hypothesis-5-ep
https://cziltangbrone.bandcamp.com/album/machine-space-2
My old housemate had a Westone which sounded BRILLIANT but weighed an absolute ton. I’d guess over 10lbs.
HarrySeven - Intangible Asset Appraiser & Wrecker of Civilisation. Searching for weird guitars - so you don't have to.
Forum feedback thread. | G&B interview #1 & #2 | https://www.instagram.com/_harry_seven_/
Always ruined by the bat-wing headstock and scratchplate designs. IMHO worse than bird inlays.
I think the japanese made Aria, Washburn & Westone guitars were all excellent, but the quality suffered when they moved manufacturing, firstly to Korea, and then, China.
But vive la difference & all that
Duesenberg are superb (well, the small number I’ve tried were) but people are often sniffy about them because it’s a bit hazy where they’re made/assembled/whatever.
Godins are made of some really nice timber (particularly the old Artisans) but I don't like those with the name carved in the pickguard - Merchant City Music had some and just that part looked a bit scruffy.
Always heard people rave about the Korean models but just need to make it past the nu-metal looks.
If you mean the Korean GJ2 Inspiration series (Shredder / Concorde), I get that. I had one of the first GJ2 / Friedman USA models and it was nowhere near the quality of G&L USA... A cheap, characterless CNC job with bland pickup and a neck profile like a keyboard (he was using basswood for necks too). I paid half the price of a Friedman and it's still the biggest hit loss I've taken on a new guitar.
G&L has the renown for its pre-2018 basses (dot on the back of the headstock) - They get snapped up in the UK now, but the guitars are still collectors only.