It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
Remember, it's easier to criticise than create!
Remember, it's easier to criticise than create!
Remember, it's easier to criticise than create!
good question!
I'm still finding my feet with the sort of music I want to write and record (albeit strictly for fun, hobby etc), but I get really inspired by soundscapes, big wide sounds, ambient, evolving stuff. Much more electronic I suppose.
My all time favourite synth has to be Alchemy, because it is just so different and inventive. I am also a huge fan of NI Komplete - really like the Heavyocity stuff in particular.
Everything I read about Omnisphere 2 clicks with me, it sounds amazing. So, I guess, really what I am doing here is procrastinating, and looking for someone to nudge me over the GAS cliff.
WOuld be good to hear someone who is using it, say what its like to work with - workflow, ease of use, sounds etc
Yes. I also have Komplete Ultimate and they complement each other. I produce a lot of electronic music and Omnisphere is better for those big evolving soundscapes and sound design in general.
Remember, it's easier to criticise than create!
Omnisphere is excellent for creating expansive evolving soundscapes - that's what I use it for primarily. I like creating ambient electronic music.
Remember, it's easier to criticise than create!
Cheers
cheers
J
Remember, it's easier to criticise than create!
wheyhey!
(spoken as a fan of electronica)
haa thanks matey...
we have a few more on the go right now at various stages..
in truth.. this trailer stuff is the single most difficult style I've ever had to work with..
and it's a nightmare to mix... they often can have well over 100 tracks.. all fighting for space..
and... lmao... it takes several months to nail a piece that's just 2 min 30 sec long.. the trailer house sets a bench mark in terms of composition, orchestration and production that is soooo very high that it's frustratingly hard to hit.. and having submitted a version, then got back a novel worth of suggested corrections / changes and general comments that leave you pulling your hair out, and then been around this cycle of changes repeatedly for months [which drives you totally round the twist and can be infuriating], when you listen to the final piece and compare that to the one first submitted you have to concede that the fkrs are 100% spot on every time.. they seriously know their sht.. they are annoyingly clever.. lmao..