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Look forward to seeing the end result
I never forgave Francis Rossi for that big hole and that extra pickup.
(Welcome back TTony)
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
*runs like hell*
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I do like the idea of it staying gold too but it is a rather special top that. It's a topcraftsman geetardude's choice to carve the neck tenon how he wishes ultimately.
A bit plainer on the flame and that would have been killer p90 cherry wraptail or full Clappo-Harriso-PAF- loaded cherry goodness as well.
Anyhoo, looking forward to seeing how it turns out.
H
www.proudhoney.com
I think doing this with the older guitars gives people chance to really play and own a vintage Gibson, where they never would be able to otherwise.
Also, looking at the past videos on the work done with some of these conversions, I'm sure that it will be really tastefully done and will look superb.
To try and understand I was trying to compare it to maybe someone destroying an ancient relic or when Isis destroyed historic buildings but it just doesn't seem to be close to that to me.
A question I'd have for the OP - what's the benefit of doing this on an old 50s model rather than just using a more recent guitar that already has humbuckers?
To be abusive undermines any worthwhile point you might make and surely must embarrass you in retrospect.
On another subject, jumping@shadows, that LP is player-grade taken to the limit. How could you cover that flame top with a solid colour which will always be a refin? A P90 burst prototype look would have been intriguing, but so it will be with PAFs.
Thanks for sharing your fabulous find.