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Edit: in terms of colour choice.
I'm finding i can use the laser for a lot more than expected, along with even more non guitar stuff.
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@WezV your threads are delight, not just for the (obvious!) fabulous guitars you create, but for how well you articulate the process of doing so and <swallows hard> the utterly filthy GAS inducing array of pics you supply too.
Please keep making guitars.
Because wow...
My Trading Feedback can be found here: https://www.thefretboard.co.uk/discussion/62765/bad-alice/p1
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Can't believe how dark that rosewood went just from a coat of oil quickly rubbed on and buffed off. (Edit... it was my acoustic that got the pale board, not this )
Nearly time to get it all glued together
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This antiquated way of working out fret placement gives a little less room between frets near the nut, and a little more up the top end of the neck... adding a bit of compensation to each fret in a rather crude way
Note this is a 24 fret neck, with chunky frets and a shorter than standard scale.... spacing would normally feel tight up there. Instead the spacing at the 24th fret is quite generous, more comparable to a standard 25 5" scale length than a normal 24.5" would be if calculated with the rule of 17.817
In reality there is only half a mm in it, but I've looked at this board a few times and had to double check the number of frets
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Originally I was considering doing the dark wood in a sonic blue, with another shade of blue in the middle of the maple.
Now I'm considering leaving the dark wood natural, spraying a light grey burst in the middle section. Leave the pickups natural
Alternatively I can spray the pickup covers darker for some contrast... might be interesting to colour match them to the dark wood, whilst being grain matched to the light wood.
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