Am I the only person on this board that think they're just alright?
Like, I've played through one several times with some pedals and whatnot at a rehearsal room I used to go to, but I can't say it completely blew me away or anything...
Kinda reminded me of my old JTM 45 how it took pedals. But, other than that, I was kinda left a little cold.. I wouldn't ever rush out to go buy one, unless I had ££cashola££ to literally burn away.
I've never been keen on Fender amps in general though, so I guess it figures. Plus, clean sounds, for me, are the dullest things on the face of the planet. With the exception of maybe, acoustic.
Does anyone else not buy into the whole Lazy J love in?
Comments
The Lazy J offers this in abundance.
Also, you have to tune into what makes the amp work. When I first plugged it in, I was a bit disappointed. The cleans were pleasant, nice enough - but not like £2000. Then i began to understand the relationship between the two voumes, tone AND the VAC. This is where the magic is. So much so, I've been playing it without pedals !
I may even order a new one... I love it that much.
But it all depends on YOUR musical taste, and the sounds in YOUR head.
Re stereo, one advantage of the extn cab is the extra load allows you to push the break up harder.
And, trem and verb- world class.
*An Official Foo-Approved guitarist since Sept 2023.
"It's a good amp but doesn't do '5E3' very well, which is surprising. It's very, very focused, thick and mid-rangey, nowhere near as open sounding as I'd been led to believe. Didn't think much of the reverb and trem."
Interestingly they then had another one in a few days ago:
"Today I had another Lazy J20 in the workshop for a new input socket. This one sounded much, much better than the other one that was in a few weeks back. It was running 6L6s with a GZ34 and put out about 18w. It was the stock model without reverb, tremolo, and power scaling."
I seem to remember @Gassage not being impressed with his first J20 purchase but then bowled over when the next one came along.
Surely there can't be that much variation in such a high end amp of the same model, or are there a few different mods of the same circuit that get tweaked to suit the original purchaser?
Have only heard one once at a Gearfest meet-up - sounded very nice but wasn't blown away, but it did have a hissy valve that sounded like it was on its way out so I don't think it was at its best.
*An Official Foo-Approved guitarist since Sept 2023.
And here is the problem; imho, this amp is NOT fundamentally a 5E3 sounding amp - it is so much more than that. The Rift comments are interesting, and lacking understanding to be fair, as the standard set up is WITH 6L6s with a GZ34 and put out about 18w as Nick quoted.
But to be honest, there is no conspiracy going on here... just try one, and if you like it cool.. if not, choose another.
I know @Gassage is a fountain pf wisdom and knowledge, and he is humbly joined by Weller, Gilmour, etc etc etc
Not many Rift amps there maybees...
(formerly miserneil)
If it is not your thing, that may be a blessing, as they are not cheap! I was sorely tempted, but found it hard to justify the purchase for my needs, and to be honest prefer something a bit more versatile. But it was one of the best amps I've every played IMO, that's for sure.
I suspect any amp maker who does customisation of their product is at risk of this - if owner A wanted a thick, midrange focussed rock amp....the next owner is expecting tweed deluxe goodness and is disappointed. Mind you, I always thought tweed deluxes *were* thick midrange focussed amps....
It is without doubt that since the first ones were built, he's refined and improved his design (as all amp designers do) and maybe this is why there's some difference between the amps that I've had in my workshop? Maybe there's another reason. Either way, the one that I said was 'very, very focus, thick and mid-rangey' was indeed almost unplayable. It sounded like it was being played in the next room through a really thick wall. The one that was in last week was far superior, in fact I really liked it.
I fully applause what Jesse does and you can't fault his client base, so good for him
Rift Amplification
Brackley, Northamptonshire
www.riftamps.co.uk
Well guys, I'm not in the business of typical forum style slanging matches, and don't intend to start now !
If you've played a good one, great. Maybe I'm lucky landing on one that works... must've had the 'space dust'...
As I said, if you like it cool, if not, there are a huge range of amps out there for you to try.
Bizarrely his opinion echoed that of Gassage whom before becoming firm friends with Jesse (which is contextually important) said that of the two he tried one was good and one was bad.
Like any piece of equipment if it works for you then that's grand.
For example: I think it is perfectly possible that the Gartone Bluesmaster is the greatest 5E3 style amp being produced anywhere in the world at this moment. Who knows?
From my personal point of view/preference, when making a judgement on something I have actually tried, I always ask myself if the clean sound alone is awesome enough for me to climb over barbed wire to get to it.....